The unsigned editorial from the evening’s program notes.
Ronnie Burkett is one of those artists who knew very early on what shape his life would take. Or, at least, after watching The Sound of Music “Lonely Goatherd” puppet show segment as a kid he had a powerful image of what he would like to do for the rest of his life.
And we lucky creatures are the beneficiaries of Ronnie’s earliest artistic impulses in puppetry and his ongoing commitment to his craft. Our director, Kristy Edmunds, has often stated a deep desire to make Ronnie a household name in the U.S. theater community. He’s incredibly renowned among puppeteers around the world, but these performances of The Daisy Theatre mark only his second appearance in Los Angeles.
Last season, the Center presented his evening length narrative work Penny Plain, a very darkly comic apocalyptic tale that riveted audiences. This time around is a bit more whimsical and a lot more improvisational.
No two performances of The Daisy Theatre are alike and even if you just catch one, you’re experiencing something quite special. Ronnie is fresh off a sold out run of The Daisy Theatre in Edmonton, Canada and last year had a sold-out run in Vancouver.
These six nights here at the Actor’s Gang theater are the only U.S. performances of The Daisy Theatre. Count yourself lucky.
Ronnie is an exceptional performer, and also an exceptional craftsman. If you don’t already follow him on Facebook, you should. In the casual confines of social media he often provides a very unique glimpse into his work, documenting his process through photos and updates that detail the extremely technical craft that goes into the manifestation of a puppet.
“I love jointing marionettes,” he said recently, posting photos of a character-in-progress. Those intricately created joints, so tiny, and so intelligently designed and manipulated with such love and care by the man holding the strings are what help bring these works of sculptural art to vivid performance life and incredible movement.
In human physiology, joints connect bone to bone and are what allow our bodies to articulate movement. Artists like Ronnie serve as a kind of metaphorical joint as well, one that connects human creatures to ideas, delights, and to each other in elaborately conceived ways that serve to articulate movement within our culture at large.
We’re proud to bring Ronnie back, proud to be a cocommissioner
of his revival of The Daisy Theatre, which he first debuted 25 years ago, as he began making his name in the art world.
Welcome to The Daisy Theatre.