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<title>CAP UCLA - Calendar Of Events</title>
<link>http://cap.ucla.edu</link>
<description>Center for the Art of Performance at UCLA</description>
<language>en-us</language>
<copyright>Copyright 2013 cap.ucla.edu.</copyright>

<lastBuildDate>Wed, 22 May 2013 09:57:53 PST</lastBuildDate>
<ttl>240</ttl>


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			<title>Rahim Shahryari In Concert</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=428</link>
			<author>info@cap.ucla.edu</author>
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			<description>Sat, Jun 22  at Royce Hall</description>
			<ucla:Artist>Rahim Shahryari</ucla:Artist>
			<ucla:Line1>In Concert</ucla:Line1>
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			<ucla:ShowDate>Sat, Jun 22 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Azerbaijani singer and qarmon player<b> Rahim Shahryari</b> performs for the first time in Royce Hall. The evening will consist of folk classics, as well as new pop Azeri and Turkish songs from a variety of songwriters, including Shahryari himself. The program will also include traditional Azeri folk dancing. <br><br>Rahim Shahryari is a multi-talented, well-known performer in the Iran music scene. Experienced in playing the authentic instrument of Qarmon (Gharman), the original instrument for accordian, he has performed as lead singer/qarmon player in nearly 400 live concerts in Iran and around the world. He enjoys a broad popularity in Iran, Azerbaijan, and the respective Diaspora communities in Europe and North America. Mr. Shahryari is the recipient of the <i>Golden Plaque</i> from the Fajr Festival, Iran's most prestigious music festival.<br><blockquote></blockquote>VIP tickets include admission to the post-show reception, which will include refreshments and a meet and greet with Mr. Shahryari. Tickets on sale now through <b><a target="_blank" title="" href="http://www.ticketmaster.com/rahim-shahryari-in-concert-los-angeles-california-06-22-2013/event/0B004AAAF5798439?artistid=1872068andmajorcatid=10001andminorcatid=52andtm_link=search_msg-0_0B004AAAF5798439">Ticketmaster</a></b> and the UCLA Central Ticket Office at 310.825.2101. <br>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/428.jpg</ucla:image>
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			<title>The Moth:   Saints and Sinners </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=349</link>
			<author>info@cap.ucla.edu</author>
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			<description>Tue, Sep 10  at Royce Hall</description>
			<ucla:Artist>The Moth:   Saints and Sinners </ucla:Artist>
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			<ucla:ShowDate>Tue, Sep 10 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Directed by <b>Meg Bowles</b>, <b>Catherine Burns</b><br>and <b>Sarah Austin Jennessandnbsp;</b><div><br></div><div>Outlaws and angels, on the cusp of darkness or drawn to<br>the light. Join us for true stories of haloes and horns, good and<br>evil, the naughty and the nice and those who dabble on both<br>sides of the spectrum.andnbsp;</div><div><b><br></b></div><div><b>The Moth</b> is an acclaimed not-for-profit organization<br>dedicated to the art and craft of storytelling, and a recipient of<br>a 2012 MacArthur Award for Creative andamp; Effective Institutions<br>(MACEI). The Moth has presented more than 3,000 stories,<br>told live and without notes, to standing-room-only crowds<br>worldwide.andnbsp;</div><div><br></div><div>The Moth podcast is downloaded more than 15<br>million times a year, and the Peabody Award-winning <i>The<br>Moth Radio Hour</i>, produced by Jay Allison and presented<br>by PRX, <i>The Public Radio Exchange</i>, airs weekly on radio<br>stations nationwide.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/349.jpg</ucla:image>
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			<title>Los Angeles Chamber Orchestra:  Mozart - Violin Concerto, Turkish </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=342</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=342</guid>
			<description>Sun, Sep 22  at Royce Hall</description>
			<ucla:Artist>Los Angeles Chamber Orchestra:  Mozart - Violin Concerto, Turkish </ucla:Artist>
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			<ucla:ShowDate>Sun, Sep 22 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>Jeffrey Kahane</b>,<i> </i>conductor</div><div><b>Benjamin Beilman</b>, violin</div><div><br></div><div><b>Beethoven</b> Twelve Contredanses for Orchestra</div><div><b>Mozart </b>Violin Concerto No. 5 in A major, "Turkish"</div><div><b>Lutosand#322;awski </b><i>Chain 2</i></div><div><b>Kodály </b><i>Dances of Galánta</i></div><div><i><br></i></div><div><b>Benjamin Beilman</b> performs with a "handsome technique" that exudes a "sweet, warm, slightly throaty tone." (<i>The New York times</i>)</div><div><br></div><div><br></div><div>LACO has long called Royce Hall its home on the Westside and joins CAP UCLA as resident orchestra for the 2013-2014 season. We're pleased to offer CAP UCLA subscribers the chance to incorporate any performance from LACO's 7-event season into their season subscription.</div>]]></ucla:bio>
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			<title>Complicite:  Shun-kin </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=353</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=353</guid>
			<description>Thu, Sep 26  at Freud Playhouse</description>
			<ucla:Artist>Complicite:  Shun-kin </ucla:Artist>
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			<ucla:ShowDate>Thu, Sep 26 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<b>WEST COAST PREMIEREandnbsp;</b><div>Based on the writings of <b>Jun'ichiro Tanizaki</b><div>Directed by <b>Simon McBurneyandnbsp;</b></div><div>Original Music by <b>Honjo Hidetaroandnbsp;</b></div><div>Japanese with English surtitlesandnbsp;</div><div><br></div><div>The mysterious world of shamisen player Shun-kin and her dutiful servant Sasuke sets the backdrop for a tale of devotion, passion and power, where beauty is unforgiving and love is blinding. This powerful performance from a Japanese cast-including film actress Eri Fukatsu and celebrated actor Yoshi Oida- is based on texts of Japanese author Jun'ichiro Tanizaki, who examined the sequestered lives of women in pre-modern Japanese society. He compared them to the traditional bunraku puppets which were designed mainly in the shape of a long kimono-only a head, feet and hands animate them. The suggestion, said Tanizaki, was that "for a woman who lived in the dark it was enough if she had a faint, white face-a full body was unnecessary."<div><br><br>Through intricately executed puppetry and Complicite's inimitable physical style, <i>Shun-kin</i> explores the connections between beauty and violence, amplified by the singular craftsmanship of the company's long-running exploration of theatrical animation. Founded in 1983, London's Complicite is an internationally acclaimed theater company led by artistic director Simon McBurney. The company has won more than 50 major theater awards worldwide.</div><div><br><b><br>Cast: </b><br><br>Kaho Aso<br><br>Songha Cho<br><br>Eri Fukatsu<br><br>Honjoh Hidetaro<br><br>Kentaro Mizuki<br><br>Yasuyo Mochizuki<br><br>Yoshi Oida<br><br>Keitoku Takata<br><br>Ryoko Tateishi<br><br>Junko Uchidaandnbsp;</div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><b><font size="3">Mark your calendar | Opening Gala<br>September 26, 2013</font>andnbsp;</b></span></p><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">CAP UCLA kicks off another powerful <br>season of international theater with a benefit performance of <br>Complicite's <i>Shun-kin</i>. Join us as we celebrate this masterful <br>company with an opening-night gala featuring food, drink and a <br>command performance. Proceeds go to underwrite CAP UCLA's <br>2013-2014 theater series.andnbsp;</font></span></p></div><div><font size="2">To include the Thursday, Sep 26 benefit performance and gala <br>in your Theater Series or Create Your Own Series order, or for <br>more information, please contact our development office:</font></div><div><font size="2"><a href="mailto:devinfo@cap.ucla.edu" title="" target="_blank">devinfo@cap.ucla.edu</a> or 310.206.6431.<br><br><br></font></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2"><i>Shun-kin</i> is presented in association with RADAR L.A., an international festival of contemporary theater. Supported in part by the Royce Center Circle Endowment Fund and the Agency for Cultural Affairs, Government of Japan.</font></span></p><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""></span></p><p><span style="font-size:10.0pt;font-family:" arial","sans-serif""="">Co-produced<br>byandnbsp;<b>Complicite</b>,andnbsp;<b>Setagaya Public Theatre, Tokyo</b>andnbsp;andandnbsp;<b>the<br>Barbican, London</b><o:p></o:p></span></p><p></p></div></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/353.jpg</ucla:image>
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			<title>Complicite:  Shun-kin </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=414</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=414</guid>
			<description>Fri, Sep 27  at Freud Playhouse</description>
			<ucla:Artist>Complicite:  Shun-kin </ucla:Artist>
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			<ucla:ShowDate>Fri, Sep 27 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<b>WEST COAST PREMIEREandnbsp;</b><div>Based on the writings of <b>Jun'ichiro Tanizaki</b><div>Directed by <b>Simon McBurneyandnbsp;</b></div><div>Original Music by <b>Honjo Hidetaroandnbsp;</b></div><div>Japanese with English surtitlesandnbsp;</div><div><br></div><div>The mysterious world of shamisen player Shun-kin and her dutiful servant Sasuke sets the backdrop for a tale of devotion, passion and power, where beauty is unforgiving and love is blinding. This powerful performance from a Japanese cast-including film actress Eri Fukatsu and celebrated actor Yoshi Oida- is based on texts of Japanese author Jun'ichiro Tanizaki, who examined the sequestered lives of women in pre-modern Japanese society. He compared them to the traditional bunraku puppets which were designed mainly in the shape of a long kimono-only a head, feet and hands animate them. The suggestion, said Tanizaki, was that "for a woman who lived in the dark it was enough if she had a faint, white face-a full body was unnecessary."<div><br><br>Through intricately executed puppetry and Complicite's inimitable physical style, <i>Shun-kin</i> explores the connections between beauty and violence, amplified by the singular craftsmanship of the company's long-running exploration of theatrical animation. Founded in 1983, London's Complicite is an internationally acclaimed theater company led by artistic director Simon McBurney. The company has won more than 50 major theater awards worldwide.</div><div><br><b><br>Cast: </b><br><br>Kaho Aso<br><br>Songha Cho<br><br>Eri Fukatsu<br><br>Honjoh Hidetaro<br><br>Kentaro Mizuki<br><br>Yasuyo Mochizuki<br><br>Yoshi Oida<br><br>Keitoku Takata<br><br>Ryoko Tateishi<br><br>Junko Uchidaandnbsp;</div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><b><font size="3">Mark your calendar | Opening Gala<br>September 26, 2013</font>andnbsp;</b></span></p><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">CAP UCLA kicks off another powerful <br>season of international theater with a benefit performance of <br>Complicite's <i>Shun-kin</i>. Join us as we celebrate this masterful <br>company with an opening-night gala featuring food, drink and a <br>command performance. Proceeds go to underwrite CAP UCLA's <br>2013-2014 theater series.andnbsp;</font></span></p></div><div><font size="2">To include the Thursday, Sep 26 benefit performance and gala <br>in your Theater Series or Create Your Own Series order, or for <br>more information, please contact our development office:</font></div><div><font size="2"><a href="mailto:devinfo@cap.ucla.edu" title="" target="_blank">devinfo@cap.ucla.edu</a> or 310.206.6431.<br><br><br></font></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2"><i>Shun-kin </i>is presented in association with RADAR L.A., an international festival of contemporary theater. Supported in part by the Royce Center Circle Endowment Fund and the Agency for Cultural Affairs, Government of Japan<br></font></span></p><p class="MsoNormal"><span style="font-family: Arial, sans-serif; font-size: 10pt;">Co-produced<br>byandnbsp;</span><b style="font-family: Arial, sans-serif; font-size: 10pt;">Complicite</b><span style="font-family: Arial, sans-serif; font-size: 10pt;">,andnbsp;</span><b style="font-family: Arial, sans-serif; font-size: 10pt;">Setagaya Public Theatre, Tokyo</b><span style="font-family: Arial, sans-serif; font-size: 10pt;">andnbsp;andandnbsp;</span><b style="font-family: Arial, sans-serif; font-size: 10pt;">the<br>Barbican, London</b></p></div></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/414.jpg</ucla:image>
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			<title>Keith Jarrett, Jack DeJohnette, Gary Peacock:  30th Anniversary Tour </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=404</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=404</guid>
			<description>Sat, Sep 28  at Royce Hall</description>
			<ucla:Artist>Keith Jarrett, Jack DeJohnette, Gary Peacock:  30th Anniversary Tour </ucla:Artist>
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			<ucla:ShowDate>Sat, Sep 28 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Comprising what is irrefutably one of the most important jazz trios of all time, pianist <b>Keith Jarrett</b>, drummer <b>Jack DeJohnette</b> and bassist <b>Gary Peacock</b> have been interpreting standards and writing originals for three<br>decades. In the process, they've reached musical heights that only true masters attain. Live, they straddle the line between straight ahead and free jazz like no other ensemble, using classic repertoire as a launching pad for<br>spellbinding virtuosity, stunning rhythmic counterpoint and thoughtful solo work. With a near-psychic connection between them, Jarrett, DeJohnette and Peacock can lock into a groove or an idea where anything is possible.]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/404.jpg</ucla:image>
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			<title>Complicite:  Shun-kin </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=409</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=409</guid>
			<description>Sat, Sep 28  at Freud Playhouse</description>
			<ucla:Artist>Complicite:  Shun-kin </ucla:Artist>
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			<ucla:ShowDate>Sat, Sep 28 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<b>WEST COAST PREMIEREandnbsp;</b><div>Based on the writings of <b>Jun'ichiro Tanizaki</b><div>Directed by <b>Simon McBurneyandnbsp;</b></div><div>Original Music by <b>Honjo Hidetaroandnbsp;</b></div><div>Japanese with English surtitlesandnbsp;</div><div><br></div><div>The mysterious world of shamisen player Shun-kin and her dutiful servant Sasuke sets the backdrop for a tale of devotion, passion and power, where beauty is unforgiving and love is blinding. This powerful performance from a Japanese cast-including film actress Eri Fukatsu and celebrated actor Yoshi Oida- is based on texts of Japanese author Jun'ichiro Tanizaki, who examined the sequestered lives of women in pre-modern Japanese society. He compared them to the traditional bunraku puppets which were designed mainly in the shape of a long kimono-only a head, feet and hands animate them. The suggestion, said Tanizaki, was that "for a woman who lived in the dark it was enough if she had a faint, white face-a full body was unnecessary."<div><br><br>Through intricately executed puppetry and Complicite's inimitable physical style, <i>Shun-kin</i> explores the connections between beauty and violence, amplified by the singular craftsmanship of the company's long-running exploration of theatrical animation. Founded in 1983, London's Complicite is an internationally acclaimed theater company led by artistic director Simon McBurney. The company has won more than 50 major theater awards worldwide.</div><div><br><b><br>Cast: </b><br><br>Kaho Aso<br><br>Songha Cho<br><br>Eri Fukatsu<br><br>Honjoh Hidetaro<br><br>Kentaro Mizuki<br><br>Yasuyo Mochizuki<br><br>Yoshi Oida<br><br>Keitoku Takata<br><br>Ryoko Tateishi<br><br>Junko Uchidaandnbsp;</div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><b><font size="3">Mark your calendar | Opening Gala<br>September 26, 2013</font>andnbsp;</b></span></p><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">CAP UCLA kicks off another powerful <br>season of international theater with a benefit performance of <br>Complicite's <i>Shun-kin</i>. Join us as we celebrate this masterful <br>company with an opening-night gala featuring food, drink and a <br>command performance. Proceeds go to underwrite CAP UCLA's <br>2013-2014 theater series.andnbsp;</font></span></p></div><div><font size="2">To include the Thursday, Sep 26 benefit performance and gala <br>in your Theater Series or Create Your Own Series order, or for <br>more information, please contact our development office:</font></div><div><font size="2"><a href="mailto:devinfo@cap.ucla.edu" title="" target="_blank">devinfo@cap.ucla.edu</a> or 310.206.6431.<br><br><br></font></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2"><i>Shun-kin</i> is presented in association with RADAR L.A., an international festival of contemporary theater. Supported in part by the Royce Center Circle Endowment Fund and the Agency for Cultural Affairs, Government of Japan<br></font></span></p></div></div></div>]]></ucla:bio>
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			<title>Complicite:  Shun-kin </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=411</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=411</guid>
			<description>Sat, Sep 28  at Freud Playhouse</description>
			<ucla:Artist>Complicite:  Shun-kin </ucla:Artist>
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			<ucla:ShowDate>Sat, Sep 28 </ucla:ShowDate>
			<ucla:ShowTime>02:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<b>WEST COAST PREMIEREandnbsp;</b><div>Based on the writings of <b>Jun'ichiro Tanizaki</b><div>Directed by <b>Simon McBurneyandnbsp;</b></div><div>Original Music by <b>Honjo Hidetaroandnbsp;</b></div><div>Japanese with English surtitlesandnbsp;</div><div><br></div><div>The mysterious world of shamisen player Shun-kin and her dutiful servant Sasuke sets the backdrop for a tale of devotion, passion and power, where beauty is unforgiving and love is blinding. This powerful performance from a Japanese cast-including film actress Eri Fukatsu and celebrated actor Yoshi Oida- is based on texts of Japanese author Jun'ichiro Tanizaki, who examined the sequestered lives of women in pre-modern Japanese society. He compared them to the traditional bunraku puppets which were designed mainly in the shape of a long kimono-only a head, feet and hands animate them. The suggestion, said Tanizaki, was that "for a woman who lived in the dark it was enough if she had a faint, white face-a full body was unnecessary."<div><br><br>Through intricately executed puppetry and Complicite's inimitable physical style, <i>Shun-kin</i> explores the connections between beauty and violence, amplified by the singular craftsmanship of the company's long-running exploration of theatrical animation. Founded in 1983, London's Complicite is an internationally acclaimed theater company led by artistic director Simon McBurney. The company has won more than 50 major theater awards worldwide.</div><div><br><b><br>Cast: </b><br><br>Kaho Aso<br><br>Songha Cho<br><br>Eri Fukatsu<br><br>Honjoh Hidetaro<br><br>Kentaro Mizuki<br><br>Yasuyo Mochizuki<br><br>Yoshi Oida<br><br>Keitoku Takata<br><br>Ryoko Tateishi<br><br>Junko Uchidaandnbsp;</div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><b><font size="3">Mark your calendar | Opening Gala<br>September 26, 2013</font>andnbsp;</b></span></p><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">CAP UCLA kicks off another powerful <br>season of international theater with a benefit performance of <br>Complicite's <i>Shun-kin</i>. Join us as we celebrate this masterful <br>company with an opening-night gala featuring food, drink and a <br>command performance. Proceeds go to underwrite CAP UCLA's <br>2013-2014 theater series.andnbsp;</font></span></p></div><div><font size="2">To include the Thursday, Sep 26 benefit performance and gala <br>in your Theater Series or Create Your Own Series order, or for <br>more information, please contact our development office:</font></div><div><font size="2"><a href="mailto:devinfo@cap.ucla.edu" title="" target="_blank">devinfo@cap.ucla.edu</a> or 310.206.6431.<br><br><br></font></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2"><i>Shun-kin</i> is presented in association with RADAR L.A., an international festival of contemporary theater. Supported in part by the Royce Center Circle Endowment Fund and the Agency for Cultural Affairs, Government of Japan<br></font></span></p></div></div></div>]]></ucla:bio>
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			<title>Complicite:  Shun-kin </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=410</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=410</guid>
			<description>Sun, Sep 29  at Freud Playhouse</description>
			<ucla:Artist>Complicite:  Shun-kin </ucla:Artist>
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			<ucla:ShowDate>Sun, Sep 29 </ucla:ShowDate>
			<ucla:ShowTime>02:00 pm</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<b>WEST COAST PREMIEREandnbsp;</b><div>Based on the writings of <b>Jun'ichiro Tanizaki</b><div>Directed by <b>Simon McBurneyandnbsp;</b></div><div>Original Music by <b>Honjo Hidetaroandnbsp;</b></div><div>Japanese with English surtitlesandnbsp;</div><div><br></div><div>The mysterious world of shamisen player Shun-kin and her dutiful servant Sasuke sets the backdrop for a tale of devotion, passion and power, where beauty is unforgiving and love is blinding. This powerful performance from a Japanese cast-including film actress Eri Fukatsu and celebrated actor Yoshi Oida- is based on texts of Japanese author Jun'ichiro Tanizaki, who examined the sequestered lives of women in pre-modern Japanese society. He compared them to the traditional bunraku puppets which were designed mainly in the shape of a long kimono-only a head, feet and hands animate them. The suggestion, said Tanizaki, was that "for a woman who lived in the dark it was enough if she had a faint, white face-a full body was unnecessary."<div><br><br>Through intricately executed puppetry and Complicite's inimitable physical style, <i>Shun-kin</i> explores the connections between beauty and violence, amplified by the singular craftsmanship of the company's long-running exploration of theatrical animation. Founded in 1983, London's Complicite is an internationally acclaimed theater company led by artistic director Simon McBurney. The company has won more than 50 major theater awards worldwide.</div><div><br><b><br>Cast: </b><br><br>Kaho Aso<br><br>Songha Cho<br><br>Eri Fukatsu<br><br>Honjoh Hidetaro<br><br>Kentaro Mizuki<br><br>Yasuyo Mochizuki<br><br>Yoshi Oida<br><br>Keitoku Takata<br><br>Ryoko Tateishi<br><br>Junko Uchidaandnbsp;</div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><b><font size="3">Mark your calendar | Opening Gala<br>September 26, 2013</font>andnbsp;</b></span></p><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">CAP UCLA kicks off another powerful <br>season of international theater with a benefit performance of <br>Complicite's <i>Shun-kin</i>. Join us as we celebrate this masterful <br>company with an opening-night gala featuring food, drink and a <br>command performance. Proceeds go to underwrite CAP UCLA's <br>2013-2014 theater series.andnbsp;</font></span></p></div><div><font size="2">To include the Thursday, Sep 26 benefit performance and gala <br>in your Theater Series or Create Your Own Series order, or for <br>more information, please contact our development office:</font></div><div><font size="2"><a href="mailto:devinfo@cap.ucla.edu" title="" target="_blank">devinfo@cap.ucla.edu</a> or 310.206.6431.<br><br><br></font></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2"><i>Shun-kin</i> is presented in association with RADAR L.A., an international festival of contemporary theater. Supported in part by the Royce Center Circle Endowment Fund and the Agency for Cultural Affairs, Government of Japan<br></font></span></p></div></div></div>]]></ucla:bio>
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			<title>Lucy Guerin Inc:  Weather </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=352</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=352</guid>
			<description>Thu, Oct 3  at Royce Hall</description>
			<ucla:Artist>Lucy Guerin Inc:  Weather </ucla:Artist>
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			<ucla:ShowDate>Thu, Oct 3 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[From <b>Lucy Guerin</b>, one of Australia's most renowned<br>choreographic talents, comes an atmospheric new dance work<br>that embodies human patterns within those of the elements.andnbsp;<div><br></div><div>Guerin has toured her work extensively in Europe, Asia and<br>North America as well as to most of Australia's major festivals<br>and venues. She has been commissioned by Chunky Move, Dance<br>Works Rotterdam, Ricochet (UK), Mikhail Baryshnikov's White<br>Oak Dance Project and Lyon Opera Ballet among many others.andnbsp;</div><div><br></div><div>Her awards include the Sidney Myer Performing Arts Award, a<br>New York Dance and Performance Award (a 'Bessie'), several<br>Green Room Awards, a Helpmann Award and an Australian<br>Dance Award.</div><div><br></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Commissioned by Lucy Guerin Inc., Melbourne Festival, Brisbane Festival and<br>Place des Arts Montréal. Supported in part by The Australia Council for the<br>Arts, Arts Victoria, Besen Family Foundation and Ian Potter Foundation.</font></span></p></div>]]></ucla:bio>
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			<title>Lucy Guerin Inc:  Weather </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=354</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=354</guid>
			<description>Fri, Oct 4  at Royce Hall</description>
			<ucla:Artist>Lucy Guerin Inc:  Weather </ucla:Artist>
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			<ucla:ShowDate>Fri, Oct 4 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[From <b>Lucy Guerin</b>, one of Australia's most renowned<br>choreographic talents, comes an atmospheric new dance work<br>that embodies human patterns within those of the elements. <div><br></div><div>Guerin has toured her work extensively in Europe, Asia and<br>North America as well as to most of Australia's major festivals<br>and venues. She has been commissioned by Chunky Move, Dance<br>Works Rotterdam, Ricochet (UK), Mikhail Baryshnikov's White<br>Oak Dance Project and Lyon Opera Ballet among many others. </div><div><br></div><div>Her awards include the Sidney Myer Performing Arts Award, a<br>New York Dance and Performance Award (a 'Bessie'), several<br>Green Room Awards, a Helpmann Award and an Australian<br>Dance Award.</div><div><br></div><div><br></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Commissioned by Lucy Guerin Inc., Melbourne Festival, Brisbane Festival and<br>Place des Arts Montréal. Supported in part by The Australia Council for the<br>Arts, Arts Victoria, Besen Family Foundation and Ian Potter Foundation.</font></span></p></div>]]></ucla:bio>
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			<title>Dave Holland Prism and The John Scofield Überjam Band</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=355</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=355</guid>
			<description>Sat, Oct 5  at Royce Hall</description>
			<ucla:Artist>Dave Holland Prism and The John Scofield Überjam Band</ucla:Artist>
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			<ucla:ShowDate>Sat, Oct 5 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>Dave Holland</b>-one of the greatest upright bass players in jazz history-debuts his aptly-named <b>Prism </b>project in Los Angeles with this performance. The band features ingenious keyboardist <b>Craig Taborn</b>, former SFJAZZ Collective drummer <b>Eric Harland</b> and <b>Kevin Eubanks</b>, a brilliant guitarist who led <i>The Tonight Show</i> band for years.</div><div><br></div><div>Combining the celebrated virtuosity of Taborn on electric and acoustic pianos and the soulful fire of Eubanks in the front line with Harland's matchless finesse and expressiveness, this decidedly plugged-in quartet is an explosive outlet for Holland at his best.</div><div><br></div><div><div>Electric guitarist <b>John Scofield </b>returns to Royce Hall. This time around, he presents his raucous, electronic-infused <b>Überjam Band</b> featuring <b>Andy Hess</b> on bass, rhythm guitarist <b>Avi Bortnick</b>, and <b>Tony Mason</b> behind the drum kit. Together they create a dizzying fusion of jazz, funk, atmospheric and</div><div>electronic music.</div></div><div><br></div><div><br></div><div><b></b></div><div><b><br></b></div><div><hr></div><div><p class="MsoNormal"><b><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">angel city jazz festival</font></span></b></p></div><div><div><font size="2"><font size="2">ented in association with The Jazz Bakery and the Angel City Jazz Festival L.A.'s only non-commercial jazz and new music festival  a celebration of cutting edge jazz at four exciting venues stretching over two weekends. Visit <a href="http://angelcityjazz.com/" title="" target="">angelcityjazz.com</a> for the complete lineup.</font><p></p></font></div></div>]]></ucla:bio>
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			<title>Idan Raichel Project</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=356</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=356</guid>
			<description>Thu, Oct 10  at Royce Hall</description>
			<ucla:Artist>Idan Raichel Project</ucla:Artist>
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			<ucla:ShowDate>Thu, Oct 10 </ucla:ShowDate>
			<ucla:ShowTime>08:00 pm</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>Idan Raichel</b> began his musical journey by inviting collaborations from artists across<br>generations and ethnicities-singing in languages as diverse as Hebrew, Spanish, Arabic,<br>Amharic and Swahili. The resulting albums exceeded sales records in Israel, made Raichel<br>his country's biggest musical breakthrough, and sold more than half a million records<br>worldwide. <div><br></div><div>The Project was honored as the "Musical Group of the Decade" in Israel in<br>2010. As described by <i>The New York Times</i>, "His arrangements bind the voices together<br>in somber minor-mode anthems paced by electronic beats, earnestly seeking to uplift."<br>The Project's blend of African, Latin American, Caribbean and Middle Eastern sounds,<br>coupled with a spectacular live show, captivates audiences worldwide.</div>]]></ucla:bio>
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			<title>Robert Wilson, Philip Glass, Lucinda Childs:    Creating Einstein on the Beach </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=357</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=357</guid>
			<description>Sat, Oct 12  at Royce Hall</description>
			<ucla:Artist>Robert Wilson, Philip Glass, Lucinda Childs:    Creating Einstein on the Beach </ucla:Artist>
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			<ucla:ShowDate>Sat, Oct 12 </ucla:ShowDate>
			<ucla:ShowTime>01:00 pm</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[In 1976, <b>Philip Glass</b>, <b>Robert Wilson</b> and <b>Lucinda Childs</b><br>premiered their epic non-narrative operatic collaboration<br>entitled <i>Einstein on the Beach</i>. It has since been hailed as one<br>of the greatest artistic achievements of the 20th century. By<br>shattering conventions of traditional opera, <i>Einstein on the<br>Beach</i> heralded an era of new possibilities. <div><br></div><div>As part of our collaboration with <b>LA Opera</b>-who<br>presents the work for the first time in Los Angeles in October<br>of 2013-and in celebration of this momentous occasion, join<br>CAP UCLA Artistic and Executive director <b>Kristy Edmunds</b><br>for a freewheeling conversation with Wilson, Glass and<br>Childs as they return to Royce Hall in honor of their<br>groundbreaking work. </div><div><br></div><div>One of the most highly anticipated events of the LA<br>Opera's coming season, CAP UCLA will also cultivate additional<br>opportunities for the UCLA campus and local arts communities<br>to intersect with the creative passion and ideas behind this<br>work. </div><div><br></div><div>We will instigate campus curriculum opportunities based on themes from <i>Einstein on the Beach</i>, connect students<br>with opportunities to experience it for free, develop additional<br>enrichment activities related to the principal creators, offer<br>documentary screenings and more. The chorus from the opera will also provide a free<br>performance for K-12 students from across Los Angeles. </div><div><br></div><div><br></div><div>Check our website as the season progresses for more<br>information on <i>Einstein on the Beach</i>-related activities.<br><b><a href="http://cap.ucla.edu/einstein/" title="" target="">cap.ucla.edu/eotb</a> </b></div><div><br></div><div><br></div><div>Visit <a href="http://www.laopera.com/season/13-14Season-at-a-Glance/Einstein/" title="" target=""><b>LAOpera.com</b></a> for tickets to <i>Einstein on the Beach</i> at<br>the Dorothy Chandler Pavilion Oct 11-13, 2013.</div>]]></ucla:bio>
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			<title>Robert Wilson:  John Cage's  Lecture on Nothing </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=358</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=358</guid>
			<description>Tue, Oct 15  at Royce Hall</description>
			<ucla:Artist>Robert Wilson:  John Cage's  Lecture on Nothing </ucla:Artist>
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			<ucla:ShowDate>Tue, Oct 15 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[In a visually and acoustically inspiring homage to revolutionary<br>composer and philosopher John Cage, American theater luminary<br><b>Robert Wilson</b> performs <i>Lecture on Nothing</i>, one of the central<br>texts of 20th-century experimental literature.andnbsp;<div><br></div><div>Originally delivered in 1949 by the composer himself at an<br>artists' club in New York, <i>Lecture on Nothing</i> eventually became<br>part of his 1961 collection of essays entitled <i>Silence</i>.andnbsp;</div><div><br></div><div>"I have nothing to say, and I am saying it. And that is poetry."<br>Cage wrote.andnbsp;</div><div><br></div><div>Wilson's compelling theatrical adaptation of <i>Lecture on<br>Nothing</i> is accompanied by music from composer <b>Arno Kraehahn</b><br>and visual elements from video artist <b>Tomek Jeziorski</b>. His creative<br>framework and live performance of this seminal work extends<br>it beyond a theatrical performance to become a deeply personal<br>homage to the influential life and work of an artist.andnbsp;</div><div><br></div><div>One of the most significant theater-makers in American<br>history, Robert Wilson is revered as a creator of landmark original<br>works, including the 1976 large-scale opera <i><a href="http://cap.ucla.edu/calendar/event_detail.asp?id=357" title="" target="">Einstein on the Beach</a></i><br>with composer Philip Glass and choreographer Lucinda Childs,<br>which comes to Los Angeles for the first time this October, presented<br>by LA Opera in collaboration with CAP UCLA.</div><div><br></div><br>Wilson's work with major U.S. and European theaters and<br>opera houses includes <i>Parsifal</i>, <i>The Magic Flute</i>, <i>Madame Butterfly</i><br>and more. He is also an accomplished fine artist whose drawings,<br>furniture designs and installations have been exhibited in museums<br>and galleries internationally.<div><br></div><div><div>Conceived, performed and directed by <b>Robert Wilson</b></div><div>Music by <b>Arno Kraehahn</b></div><div>Video by <b>Tomek Jeziorski</b></div><div>Associate Directors <b>Ann-Christin Rommen</b> and <b>Tilman Hecker</b></div><div>Dramaturgie <b>Stephan Buchberger</b></div><div>Man with binoculars <b>Tilman Hecker</b></div><div>Technical Director <b>Reinhard Bichsel</b></div></div><div>Commissioned and produced by<b> Ruhrtriennale--International Festival of the Arts</b></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Presented in collaboration with Change Peforming Arts</font></span></p></div>]]></ucla:bio>
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			<title>Ricky Skaggs and Bruce Hornsby with Kentucky Thunder</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=359</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=359</guid>
			<description>Fri, Oct 18  at Royce Hall</description>
			<ucla:Artist>Ricky Skaggs and Bruce Hornsby</ucla:Artist>
			<ucla:Line1>with Kentucky Thunder</ucla:Line1>
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			<ucla:ShowDate>Fri, Oct 18 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Virginia cool meets Kentucky thunder in a quintessential collaboration between multi-instrumentalist virtuoso<br><b>Ricky Skaggs</b> and genre-bending pianist <b>Bruce Hornsby</b>. Combined, the pair lay claim to an astonishing 15 Grammy<br>awards. They first collaborated on a track for a Bill Monroe tribute album and went on to record an entire album<br>together in 2007. <div><i><br></i></div><div><i>The New York Times</i> praised the depth of the partnership: "Whether they were playing Mr. Hornsby's<br>songs or reworking Bill Monroe's repertory, the arrangements often reached back to Celtic drones and modal fiddle<br>tunes, the sounds of an isolated rural America. With Mr. Hornsby on piano, another Americana also peeked in: the<br>polytonality of Aaron Copland and of modal jazz harmony, which happens to dovetail with those Celtic drones." <div><br></div><div>In live<br>performance, these pioneering voices of American music showcase the power of their musical connection and their<br>effortless penchant for breaking apart musical categorizations.</div></div>]]></ucla:bio>
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			<title>Eva Ayllón:   Celebrating Life, Festejando la Vida </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=360</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=360</guid>
			<description>Sat, Oct 19  at Royce Hall</description>
			<ucla:Artist>Eva Ayllón:   Celebrating Life, Festejando la Vida </ucla:Artist>
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			<ucla:ShowDate>Sat, Oct 19 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[For more than 40 years, Afro-Peruvian singer <b>Eva Ayllón</b> has lifted theaters to<br>their full capacity not only in Peru-where she can fill a stadium of 30,000-but in<br>venerable U.S. concert venues such as Carnegie Hall.andnbsp;<div><br></div><div>After emerging in the early '70s,<br>Eva immediately set a landmark by establishing herself as the leading proponent of<br>Afro-Peruvian music. Eva's recording career spans 20 albums including six Latin<br>Grammy nominations.andnbsp;</div><div><br></div><div>This fall, Eva will be spreading the joy of Black Peruvian music<br>to North American audiences through her <i>Celebrating Life, Festejando la Vida</i> tour.<br>In concert, Ayllón focuses on the elegant and lively genres of the coastal plains of<br>Peru. She is known for singing the landó, the festejo, and the vals; all mestizo blends<br>of Peru's indigenous African and Spanish musical heritage.</div>]]></ucla:bio>
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			<title>Los Angeles Chamber Orchestra:  Haydn - Cello Concerto </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=361</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=361</guid>
			<description>Sun, Oct 20  at Royce Hall</description>
			<ucla:Artist>Los Angeles Chamber Orchestra:  Haydn - Cello Concerto </ucla:Artist>
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			<ucla:ShowDate>Sun, Oct 20 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>Jeffrey Kahane</b>, conductor</div><div><b>Jean-Guihen Queyras</b>, cello</div><div><b>Laurie Rubin</b>, mezzo-soprano</div><div><br></div><div><b>Britten </b><i>Variations on a Theme of Frank Bridge</i></div><div><b>Haydn </b>Cello Concerto No.1 in C major</div><div><b>Mozart </b>Serenade No. 6 in D major K. 239 (<i>Serenata notturna</i>)</div><div><b>Bruce Adolphe</b> <i>Do You Dream in Color? </i>(West Coast premiere)</div><div><br></div><div>An "appealingly direct soloist" (<i>The Guardian</i>) <b>Jean-Guihen Queyras</b> performs with an "incredibly elegant and bewitching tone." (<i>Le Figaro</i>)</div><div><br></div><div>"A rich, but mellow mezzo-soprano" <b>Laurie Rubin</b> possesses "a very special voice." - <i>The Greenwhich Times</i></div><div><i><br></i></div><div>LACO has long called Royce Hall its home on the Westside and joins CAP UCLA as resident orchestra for the 2013-2014 season. We're pleased to offer CAP UCLA subscribers the chance to incorporate any performance from LACO's 7-event season into their season subscription.</div>]]></ucla:bio>
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			<title>They Might Be Giants A Special Family Show</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=412</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=412</guid>
			<description>Sat, Oct 26  at Royce Hall</description>
			<ucla:Artist>They Might Be Giants</ucla:Artist>
			<ucla:Line1>A Special Family Show</ucla:Line1>
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			<ucla:ShowDate>Sat, Oct 26 </ucla:ShowDate>
			<ucla:ShowTime>02:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>They Might Be Giants</b> are what <i>Time Out New York calls</i> "...the unquestioned<br>superstars of children's music..."andnbsp;<div><br></div><div>You may already be aware of this superlative,<br>thanks to the group's many raucous Royce Hall performances over the years.<br>Your kids may get old but the exciting family-friendly stage show this duo<br>consistently turns out never does.andnbsp;</div><div><br></div><div>Join us again for a rousing afternoon of such TMBG kids'-music<br>classics as the Grammy-nominated <i>Here Comes Science</i>, the Grammy-winning<br><i>Here Come the 123s</i> and many more.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/412.jpg</ucla:image>
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			<title>They Might Be Giants</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=363</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=363</guid>
			<description>Sat, Oct 26  at Royce Hall</description>
			<ucla:Artist>They Might Be Giants</ucla:Artist>
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			<ucla:ShowDate>Sat, Oct 26 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Join us for another ribald Royce Hall performance from one of our favorite groups.<br><b>They Might Be Giants</b> has been doing its remarkable thing for more than 30 remarkable<br>years and show no signs of slowing down. <div><br></div><div>Their 16th studio album, <i>Nanobots</i>, was released<br>in spring 2013, offering up a musical landscape of black ops, microscopic robots, insect<br>hospitals, and karate chops-as well as a sprinkling of mini-ruminations clocking in<br>at well under the one-minute mark. For a group that has made a career out of crafting<br>unforgettable melodies while deftly illuminating the odd, <i>Nanobots </i>is a remarkable<br>achievement-25 tracks that zig and zag in a myriad of new directions including the<br>very adult topics of melancholia and alienation, while showcasing the band's expert<br>musicianship and undeniable skill at crafting perfect pop. </div><div><br></div><div>This performance will showcase<br>the new album as well as the classic TMBG tunes you've grown to love.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/363.jpg</ucla:image>
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			<title>The Intergalactic Nemesis:  Book One - Target Earth  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=364</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=364</guid>
			<description>Sat, Nov 2  at Royce Hall</description>
			<ucla:Artist>The Intergalactic Nemesis:  Book One - Target Earth </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Sat, Nov 2 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA["What evil lurks in the hearts of men...?" <div><br></div><div>It's not The Shadow. It's not The Lone Ranger. It's not<br>Little Orphan Annie or Flash Gordon or Buck Rogers (though<br>it hearkens back to all of them). <b>The Intergalactic Nemesis</b><br>is an uproarious and nostalgic look back at the glory days of<br>radio plays with a highly theatrical twist. </div><div><br></div><div>Stellar acting from a cast of three who voice dozens of<br>characters. Live sound effects created and performed by an<br>on-stage Foley artist. Live music performed on piano and organ. It all comes to vibrant life to accompany more than<br>1,250 hand-drawn, full-color comic book images magnified<br>two-stories high and projected on a screen the size of the<br>proscenium itself. This ebullient production will bring out<br>the kid in everyone. </div><div><br></div><div>Featured on <i>Late Night With Conan O'Brien</i> and NPR's<br><i>All Things Considered</i>. </div><div><br></div><div>"The little show that could..." <i>The Wall Street Journal</i></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/364.jpg</ucla:image>
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			<title>The Intergalactic Nemesis:  Book One - Target Earth  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=365</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=365</guid>
			<description>Sun, Nov 3  at Royce Hall</description>
			<ucla:Artist>The Intergalactic Nemesis:  Book One - Target Earth </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Sun, Nov 3 </ucla:ShowDate>
			<ucla:ShowTime>02:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>The Intergalactic Nemesis</b> live-action graphic novel is a one-of-a-kind<br>theatrical experience that mashes up radio drama with comic books,<br>making it a perfect performance experience for kids and kids-at-heart. <div><br></div><div>Three actors voice dozens of characters; one Foley artist creates hundreds<br>of sound effects; one keyboardist performs a score of thousands (yes,<br>thousands!) of notes; while on a two-story-high screen we project more<br>than 1,250 individual, full-color, hand-drawn, hi-res, blow-your-mind<br>comic book images to tell the story visually. </div><div><br></div><div>And it's all LIVE.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/365.jpg</ucla:image>
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			<title>Susan Marshall and Company:  Play/Pause  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=366</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=366</guid>
			<description>Sat, Nov 9  at Royce Hall</description>
			<ucla:Artist>Susan Marshall and Company:  Play/Pause </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Sat, Nov 9 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Cut across a soundtrack of rock guitar riffs and popular dance<br>vocabulary, <i>Play/Pause</i> is the ultimate mash-up: postmodern<br>dance-theater meets indie rock on both real and virtual stages. <div><br></div><div>This evening-length dance work for six is set to an original<br>commissioned score by Pulitzer Prize-winning composer <b>David<br>Lang</b> and performed live by members of the groundbreaking<br>electric guitar quartet <b>Dither</b>. </div><div><br></div><div>In <i>Play/Pause</i>, Marshall ignores the distinction between<br>high art and pop culture and embraces the collisions between<br>them. She builds on the vocabulary of popular video dance by<br>introducing complex structures and unfamiliar contexts, creating<br>a world in which movement, touch and breath speak as loudly as<br>the hyper-real and the larger-than-life. </div><div><br></div><div>The stage work builds on themes developed in original<br>online video dances and takes them in unexpected directions.<br>The audience arrives at the performance with a familiarity of<br>the online video and an expectation that influences and deepens<br>their experience. </div><div><br></div><div>Since 1985, <b>Susan Marshall</b> has created more than 40<br>dances for her company, as well as works for the Lyon Opera<br>Ballet, Frankfurt Ballet and Mikhail Baryshnikov. The company<br>has been featured at Jacob's Pillow Dance Festival, the Edinburgh<br>International Festival, Spoleto Festival and Vienna Tanz, and<br>has performed nationally at the Brooklyn Academy of Music,<br>Lincoln Center, Hanscher Auditorium, Krannert Center for the<br>Arts, Fisher Center for the Performing Arts/Summerscape, and<br>the Clarice Smith Performing Arts Center, among many others.</div><div><br></div><div><br></div><div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2" the="" presentation="" of="" play="" pause="" is="" made="" possible="" by="" new="" england<="" div=""></font></span></p><div><font size="2" the="" presentation="" of="" play="" pause="" is="" made="" possible="" by="" new="" england<="" div="">This presentation of <i>Play/Pause</i> is made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the </font><font size="2" the="" presentation="" of="" play="" pause="" is="" made="" possible="" by="" new="" england<="" div="">Doris Duke Charitable Foundation and additional funding from The Andrew </font><span style="font-size: small;">W. Mellon Foundation.</span></div></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/366.jpg</ucla:image>
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			<title>Chris Ware:  Writing The Graphic Landscape </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=402</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=402</guid>
			<description>Thu, Nov 14  at Lenart Auditorium at Fowler Museum</description>
			<ucla:Artist>Chris Ware:  Writing The Graphic Landscape </ucla:Artist>
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			<ucla:ShowDate>Thu, Nov 14 </ucla:ShowDate>
			<ucla:ShowTime>07:30 PM</ucla:ShowTime>
			<ucla:Theater>Lenart Auditorium at Fowler Museum</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal"><b>Chris Ware</b> ward-winning cartoonist and acclaimed author of the<br>graphic novel <i>Jimmy Corrigan: The Smartest Kid on Earth</i>, which in 2009 was<br>named as one of the "100 Best Books of the Decade" by <i>The Times</i> <i>(London)</i>.</p><br><br><p class="MsoNormal">Ware is known for spare and stunning innovation that pushes<br>the boundaries of comic-book storytelling. andnbsp;Chris Ware's work has also appeared in many<br>national and international art exhibits, including the Whitney Biennial exhibit<br>in 2002. He continues to publish comic strips-which he started doing in the<br>late 60s as a student at the University of Texas at Austin-in the pages of the<br><i>Virginia Quarterly Review</i>. His ongoing <i>Acme Novelty Library </i>series reached its<br>20th issue in 2010.</p><br><br><span times="" new="" roman","serif";mso-fareast-font-family:="" "times="" roman";mso-ansi-language:en-us;mso-fareast-language:en-us;="" mso-bidi-language:ar-sa"=""><font size="2">He is currently at work on a long-form graphic novel,<br><i>Rusty Brown</i>, which follows the kaleidoscopic and interactively designed <i>Building<br>Stories</i>, which was named <i>The New York Times</i> "10 Best Books of 2012."</font></span>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/402.jpg</ucla:image>
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			<title>Charles Lloyd and Friends featuring Bill Frisell</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=367</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=367</guid>
			<description>Fri, Nov 15  at Royce Hall</description>
			<ucla:Artist>Charles Lloyd and Friends featuring Bill Frisell</ucla:Artist>
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			<ucla:ShowDate>Fri, Nov 15 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Saxophonist <b>Charles Lloyd </b>is a forward-thinking "musician's musician." His supreme<br>improvisational talents and passion for cross-pollinating jazz with rock as well as non-Western styles of music during the '60s and '70s established him as one of the key figures in<br>the development of fusion and world music. <div><br></div><div>Recently celebrating his 75th birthday, Lloyd is<br>more vital than ever-regularly playing in different ensembles made up of some of the most<br>innovative players in jazz. This very special performance features the guitar wizardry of<br><b>Bill Frisell</b> alongside <b>Eric Harland</b> on drums and <b>Ruben Rogers</b> on bass.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/367.jpg</ucla:image>
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			<title>Chelsea Wolfe and Anna Calvi</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=368</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=368</guid>
			<description>Sat, Nov 16  at Royce Hall</description>
			<ucla:Artist>Chelsea Wolfe and Anna Calvi</ucla:Artist>
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			<ucla:ShowDate>Sat, Nov 16 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[California native <b>Chelsea Wolfe</b>'s sound is<br>best described in broad strokes: elemental,<br>intense, radiant, intimate-yet-expansive,<br>dark and sparkling. Hues of black metal<br>and deep blues inform her ever-evolving<br>electric folk. Her musical style acts as a<br>warm force that wraps itself around the listener, encouraging uplift. Her vocals,<br>at once haunting and soothing, combined with lyrics that illuminate life's<br>darker corners, reveal surprising truths and hidden beauty.<div><br></div><br>Sharing the bill is the equally enigmatic English singer-songwriter/guitar player<br><b>Anna Calvi</b> who writes achingly rich songs punctuated by lightning-speed<br>riffs from her Fender Telecaster. A virtuoso player with brooding intensity,<br>Calvi was nominated for the prestigious Mercury Prize in 2011.<div><br></div><div><br></div><br>CAP UCLA is proud to partner with our student-engagement arm, the campus<br>advocates of <b><a href="http://cap.ucla.edu/artinaction/education.asp" title="" target="">Student Committee for the Arts</a> (SCA)</b> to showcase Chelsea Wolfe<br>and Anna Calvi-two astonishing young artists who are quite successfully<br>attempting to defy convention and categorization.<div><br></div>SCA is populated by a group of smart, passionate student arts lovers, tastemakers and advocates who are<br>keyed into the beating pulse of our most immediate community-the 65,000 strong UCLA student body. Last<br>season, SCA launched The Terrace Series, a lineup of free outdoor performances on the Royce Terrace adjacent<br>to Royce Hall. Stay tuned for the 2013-2014 Terrace Series.<div><br></div><div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Co-produced by the UCLA Student Committee for the Arts.<br>Supported in part by the Kevin Jeske Young Artists Fund.</font></span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/368.jpg</ucla:image>
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			<title>Los Angeles Chamber Orchestra:  Beethoven - Pastoral </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=369</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=369</guid>
			<description>Sun, Nov 17  at Royce Hall</description>
			<ucla:Artist>Los Angeles Chamber Orchestra:  Beethoven - Pastoral </ucla:Artist>
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			<ucla:ShowDate>Sun, Nov 17 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>Hans Graf</b>, conductor</div><div><b>Alessio Bax</b>, piano</div><div><br></div><div><b>Henri Dutilleux</b> <i>Mystère de l'instant</i></div><div><b>Mozart </b>Piano Concerto No. 24 in C minor, K. 491</div><div><b>Beethoven</b> Symphony No. 6 in F major, "Pastoral"</div><div><br></div><div>Conductor <b>Hans Graf</b> possesses a "subtle, studied style on the podium." (<i>The Houston Chronicle</i>)</div><div><br></div><div>A "rising star in classical music" (<i>The New York Times</i>) <b>Alessio Bax</b> plays "with an almost hypnotic intensity." (<i>Gramophone</i>)</div><div><br></div><div>LACO has long called Royce Hall its home on the Westside and joins CAP UCLA as resident orchestra for the 2013-2014 season. We're pleased to offer CAP UCLA subscribers the chance to incorporate any performance from LACO's 7-event season into their season subscription.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/369.jpg</ucla:image>
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			<title>Young Jean Lee:  WE'RE GONNA DIE  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=403</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=403</guid>
			<description>Wed, Nov 20  at Actors Gang at Ivy Substation</description>
			<ucla:Artist>Young Jean Lee:  WE'RE GONNA DIE </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Wed, Nov 20 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Actors Gang at Ivy Substation</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">With her band 'Future Wife,' playwright <b>Young Jean Lee </b>hits L.A. for the first time, taking<br>the stage in a life-affirming show anyone could perform, about the thing everyone<br>has in common: We're gonna die. You may be miserable, but you won't be alone!<o:p></o:p></font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">In what <i>The<br>New York Times </i>described<br>as a "bizarre combination of pop concert and autobiographical lament for the<br>human condition," up-and-coming theater maker Young Jean Lee fearlessly<br>launches herself into one of humanity's most feared (and wholly inescapable)<br>topics-mortality.<o:p></o:p></font></p><br><br><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Sad stories, harsh realities, tales of loss and tragedy, when<br>delivered in Young Jean Lee's deadpan style and paired with peppy pop tunes<br>sung by the artist, alchemize into a moment of collective hope.</font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Young Jean Lee is an OBIE award-winning playwright and<br>director who has been called "the most adventurous downtown playwright of her<br>generation" by <i>The<br>New York</i> <i>Times </i>and "one of the best experimental<br>playwrights in America" by <i>Time<br>Out New York</i>.</font><o:p></o:p></p><p></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><o:p></o:p></p><p></p>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/403.jpg</ucla:image>
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			<title>Young Jean Lee:  WE'RE GONNA DIE  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=413</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=413</guid>
			<description>Thu, Nov 21  at Actors Gang at Ivy Substation</description>
			<ucla:Artist>Young Jean Lee:  WE'RE GONNA DIE </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Thu, Nov 21 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Actors Gang at Ivy Substation</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">With her band 'Future Wife,' playwright <b>Young Jean Lee </b>hits L.A. for the first time, taking<br>the stage in a life-affirming show anyone could perform, about the thing everyone<br>has in common: We're gonna die. You may be miserable, but you won't be alone!<o:p></o:p></font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">In what <i>The<br>New York Times </i>described<br>as a "bizarre combination of pop concert and autobiographical lament for the<br>human condition," up-and-coming theater maker Young Jean Lee fearlessly<br>launches herself into one of humanity's most feared (and wholly inescapable)<br>topics-mortality.<o:p></o:p></font></p><br><br><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Sad stories, harsh realities, tales of loss and tragedy, when<br>delivered in Young Jean Lee's deadpan style and paired with peppy pop tunes<br>sung by the artist, alchemize into a moment of collective hope.</font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Young Jean Lee is an OBIE award-winning playwright and<br>director who has been called "the most adventurous downtown playwright of her<br>generation" by <i>The<br>New York</i> <i>Times </i>and "one of the best experimental<br>playwrights in America" by <i>Time<br>Out New York</i>.</font><o:p></o:p></p><p></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><o:p></o:p></p><p></p>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/413.jpg</ucla:image>
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			<title>Orchestra Italiana del Cinema presents  Beyond La Dolce Vita: A visual-symphonic homage to Italian Cinema </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=370</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=370</guid>
			<description>Fri, Nov 22  at Royce Hall</description>
			<ucla:Artist>Orchestra Italiana del Cinema presents  Beyond La Dolce Vita: A visual-symphonic homage to Italian Cinema </ucla:Artist>
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			<ucla:ShowDate>Fri, Nov 22 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[The expert musicianship of the <b>Orchestra<br>Italiana del Cinema</b> and high-definition film<br>projection combine to form an unforgettable<br>multimedia concert, celebrating the<br>partnership between music and film. <div><br></div><div>One of the most influential filmmakers of<br>the 20th century, Federico Fellini is perhaps<br>best known in the English-speaking world for <i>La Dolce Vita</i>, a film which<br>has become synonymous with the culture of Italy. He won five Academy<br>Awards, becoming the person who won the highest number of Oscars<br>for Best Foreign Language Film in history. </div><div><br></div><div>Together with the Italian Ministry of Foreign Affairs and Italian<br>cultural institutes throughout the world, the Orchestra Italiana del<br>Cinema celebrates the 20th anniversary of the death of this great Italian<br>artist with a special tribute concert.</div><div><br></div><div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Presented in association with <a href="http://www.orchestraitalianadelcinema.it/en/" title="" target="">Orchestra Italiana del Cinema</a> and The Year of Italian Culture.</font></span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/370.jpg</ucla:image>
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			<title>Young Jean Lee:  WE'RE GONNA DIE  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=415</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=415</guid>
			<description>Fri, Nov 22  at Actors Gang at Ivy Substation</description>
			<ucla:Artist>Young Jean Lee:  WE'RE GONNA DIE </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Fri, Nov 22 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Actors Gang at Ivy Substation</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">With her band 'Future Wife,' playwright <b>Young Jean Lee </b>hits L.A. for the first time, taking<br>the stage in a life-affirming show anyone could perform, about the thing everyone<br>has in common: We're gonna die. You may be miserable, but you won't be alone!<o:p></o:p></font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">In what <i>The<br>New York Times </i>described<br>as a "bizarre combination of pop concert and autobiographical lament for the<br>human condition," up-and-coming theater maker Young Jean Lee fearlessly<br>launches herself into one of humanity's most feared (and wholly inescapable)<br>topics-mortality.<o:p></o:p></font></p><br><br><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Sad stories, harsh realities, tales of loss and tragedy, when<br>delivered in Young Jean Lee's deadpan style and paired with peppy pop tunes<br>sung by the artist, alchemize into a moment of collective hope.</font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Young Jean Lee is an OBIE award-winning playwright and<br>director who has been called "the most adventurous downtown playwright of her<br>generation" by <i>The<br>New York</i> <i>Times </i>and "one of the best experimental<br>playwrights in America" by <i>Time<br>Out New York</i>.</font><o:p></o:p></p><p></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><o:p></o:p></p><p></p>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/415.jpg</ucla:image>
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			<title>Jérôme Bel:  Cédric Andrieux </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=371</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=371</guid>
			<description>Sat, Nov 23  at Royce Hall</description>
			<ucla:Artist>Jérôme Bel:  Cédric Andrieux </ucla:Artist>
			<ucla:Line1></ucla:Line1>
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			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sat, Nov 23 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal">In this illuminating solo work, leading French choreographer<br><b>Jérôme Bel </b>asks veteran dancer <b>Cédric Andrieux </b>to reflect on his life as a<br>dancer and confront the question of what drives him as an artist. Integrating<br>excerpts created by renowned choreographers like Merce Cunningham and Trisha<br>Brown, Bel incorporates spoken word and movement, providing in intimate look at<br>Andrieux's career, narrated and danced by Andrieux himself. </p><br><br><p class="MsoNormal">Andrieux was a featured dancer with the Merce Cunningham<br>Dance Company and Lyon Opera Ballet, has also worked with RoseAnne Spradlin and<br>Chantal Yzermans, and was part of the New York cast of Alain Buffard's Mauvais<br>Genre. Cédric Andrieux is an intimate portrait of this acclaimed dancer that<br>offers us remarkable insights into the iconic image of "the performer" as only<br>Bel can. </p><br><br><br>Born in Paris in 1962, Jérôme Bel studied at the Centre<br>National de Dance Contemporaine of Angers and went on to dance for myriad<br>choreographers in France and Italy. He is a significant figure in a group of<br>contemporary European choreographers who question the fundamental parameters of<br>their own practice-and of choreography in general.andnbsp;<div><br></div><div>Bel is acclaimed for a<br>unique provocation to strip away all stage artifice in an effort to create a<br>more honest connection between the watchers and performers. His conceptual work<br>is focused on altering expectations and his productions are legendary for<br>stretching the boundaries of the philosophical underpinnings of dance.<p></p></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Doris Duke Charitable Foundation Endowment Fund, the James<br>A. Doolittle Endowment and the Roslyn Holt Swartz andamp; Allan J. Swartz Endowment for the Performing Arts.</font></span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/371.jpg</ucla:image>
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			<title>Young Jean Lee:  WE'RE GONNA DIE  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=416</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=416</guid>
			<description>Sat, Nov 23  at Actors Gang at Ivy Substation</description>
			<ucla:Artist>Young Jean Lee:  WE'RE GONNA DIE </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sat, Nov 23 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Actors Gang at Ivy Substation</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">With her band 'Future Wife,' playwright <b>Young Jean Lee </b>hits L.A. for the first time, taking<br>the stage in a life-affirming show anyone could perform, about the thing everyone<br>has in common: We're gonna die. You may be miserable, but you won't be alone!<o:p></o:p></font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">In what <i>The<br>New York Times </i>described<br>as a "bizarre combination of pop concert and autobiographical lament for the<br>human condition," up-and-coming theater maker Young Jean Lee fearlessly<br>launches herself into one of humanity's most feared (and wholly inescapable)<br>topics-mortality.<o:p></o:p></font></p><br><br><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Sad stories, harsh realities, tales of loss and tragedy, when<br>delivered in Young Jean Lee's deadpan style and paired with peppy pop tunes<br>sung by the artist, alchemize into a moment of collective hope.</font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Young Jean Lee is an OBIE award-winning playwright and<br>director who has been called "the most adventurous downtown playwright of her<br>generation" by <i>The<br>New York</i> <i>Times </i>and "one of the best experimental<br>playwrights in America" by <i>Time<br>Out New York</i>.</font><o:p></o:p></p><p></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><o:p></o:p></p><p></p>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/416.jpg</ucla:image>
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			<title>Young Jean Lee:  WE'RE GONNA DIE  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=417</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=417</guid>
			<description>Sun, Nov 24  at Actors Gang at Ivy Substation</description>
			<ucla:Artist>Young Jean Lee:  WE'RE GONNA DIE </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sun, Nov 24 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Actors Gang at Ivy Substation</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">With her band 'Future Wife,' playwright <b>Young Jean Lee </b>hits L.A. for the first time, taking<br>the stage in a life-affirming show anyone could perform, about the thing everyone<br>has in common: We're gonna die. You may be miserable, but you won't be alone!<o:p></o:p></font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">In what <i>The<br>New York Times </i>described<br>as a "bizarre combination of pop concert and autobiographical lament for the<br>human condition," up-and-coming theater maker Young Jean Lee fearlessly<br>launches herself into one of humanity's most feared (and wholly inescapable)<br>topics-mortality.<o:p></o:p></font></p><br><br><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Sad stories, harsh realities, tales of loss and tragedy, when<br>delivered in Young Jean Lee's deadpan style and paired with peppy pop tunes<br>sung by the artist, alchemize into a moment of collective hope.</font></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><font face="times new roman" size="3">Young Jean Lee is an OBIE award-winning playwright and<br>director who has been called "the most adventurous downtown playwright of her<br>generation" by <i>The<br>New York</i> <i>Times </i>and "one of the best experimental<br>playwrights in America" by <i>Time<br>Out New York</i>.</font><o:p></o:p></p><p></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"><o:p></o:p></p><p></p>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/417.jpg</ucla:image>
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			<title>Jérôme Bel:  The Show Must Go On </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=372</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=372</guid>
			<description>Thu, Dec 5  at Freud Playhouse</description>
			<ucla:Artist>Jérôme Bel:  The Show Must Go On </ucla:Artist>
			<ucla:Line1></ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Thu, Dec 5 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<i>The Show Must Go On </i>examines the relationship between art and life, explores the clash of fine art and entertainment and challenges audience expectations. In a minimal set up characteristic ofandnbsp;Jérôme Bel's work, a DJ plays clips of popular songs from past eras to more recent chart-toppers while dancers literally follow the instructions of the song lyrics.andnbsp;<div><br></div><div>Surprisingly thought-provoking and poignant, it's a show about how a choreographer uses signs to stir up emotions, evoke associations and create meaning as a dialogue with the imagination of the audience. This performance will be cast with local dancers.andnbsp;</div><div><br></div><div><br></div><div>Born in Paris in 1962, Jérôme Bel studied at the Centre National de Dance Contemporaine of Angers and went on to dance for myriad choreographers in France and Italy. He is a significant figure in a group of contemporary European choreographers who question the fundamental parameters of their own practice-and of choreography in general.andnbsp;</div><div><br></div><div>Bel is acclaimed for a unique provocation to strip away all stage artifice in an effort to create a more honest connection between the watchers and performers. His conceptual work is focused on altering expectations and his productions are legendary for stretching the boundaries of the philosophical underpinnings of dance.andnbsp;</div><div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Doris Duke Charitable Foundation Endowment Fund, the James A. Doolittle Endowment and the Roslyn Holt Swartz andamp; Allan J. Swartz Endowment for the Performing Arts.</font></span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/372.jpg</ucla:image>
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			<title>Jérôme Bel:  The Show Must Go On </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=373</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=373</guid>
			<description>Fri, Dec 6  at Freud Playhouse</description>
			<ucla:Artist>Jérôme Bel:  The Show Must Go On </ucla:Artist>
			<ucla:Line1></ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Fri, Dec 6 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<i>The Show Must Go On </i>examines the relationship between art and life, explores the clash of fine art and entertainment and challenges audience expectations. In a minimal set up characteristic of Jérôme Bel's work, a DJ plays clips of popular songs from past eras to more recent chart-toppers while dancers literally follow the instructions of the song lyrics. <div><br></div><div>Surprisingly thought-provoking and poignant, it's a show about how a choreographer uses signs to stir up emotions, evoke associations and create meaning as a dialogue with the imagination of the audience. This performance will be cast with local dancers. </div><div><br></div><div><br></div><div>Born in Paris in 1962, Jérôme Bel studied at the Centre National de Dance Contemporaine of Angers and went on to dance for myriad choreographers in France and Italy. He is a significant figure in a group of contemporary European choreographers who question the fundamental parameters of their own practice-and of choreography in general. </div><div><br></div><div>Bel is acclaimed for a unique provocation to strip away all stage artifice in an effort to create a more honest connection between the watchers and performers. His conceptual work is focused on altering expectations and his productions are legendary for stretching the boundaries of the philosophical underpinnings of dance. </div><div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Doris Duke Charitable Foundation Endowment Fund, the James A. Doolittle Endowment and the Roslyn Holt Swartz and Allan J. Swartz Endowment for the Performing Arts.</font></span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/373.jpg</ucla:image>
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			<title>Mohammed Fairouz and David Krakauer:  Symphonic Prayers and Poems </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=374</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=374</guid>
			<description>Sun, Dec 8  at Royce Hall</description>
			<ucla:Artist>Mohammed Fairouz and David Krakauer:  Symphonic Prayers and Poems </ucla:Artist>
			<ucla:Line1></ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sun, Dec 8 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<i>Symphonic Prayers and Poems</i> is an artistic statement about the power of music to transcend cultural and<br>religious conflict. This concert spotlights the work of 28-year-old Arab-American composer<br><b><a href="http://mohammedfairouz.com/" title="" target="">Mohammed Fairouz</a></b>, an acclaimed composer and a rising compositional voice whose<br>work is unique in its mediation of cherished Arabic musical traditions framed by formal Western<br>musical procedures.andnbsp;<div><br></div><div>The UCLA Philharmonia will perform West Coast premieres of <i>Tahrir </i>(2011), a clarinet<br>concerto written for and performed by <b>David Krakauer</b>; <i>Symphony No. 3</i> (<i>Poems and Prayers</i>, 2010)<i>andnbsp;</i>for mezzo-soprano and baritone soloists, chorus and orchestra and <i>Kaddish</i>, a rarely<br>performed cantata by Russian-Jewish composer Alexander Krein. Featuring mezzo-soprano<br><b>Sasha Cooke</b> plus the <b>UCLA Chorale</b>, <b>UCLA University Chorus</b> and <b>UCLA Philharmonia</b>,<br>all under the direction of UCLA Professor and Director of Orchestral Studies <b>Neal Stulberg.</b><br><br><br><div><hr></div><div><span century="" gothic","sans-serif";="" color:#1f497d"="">Presented in association with principal sponsors The UCLA Herb Alpert School of Music and the Mickey Katz Endowed Chair in Jewish Music.</span><p></p></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/374.jpg</ucla:image>
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			<title>Ronnie Burkett Theatre of Marionettes:  Penny Plain  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=405</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=405</guid>
			<description>Thu, Jan 16  at Little Theater at Macgowan Hall</description>
			<ucla:Artist>Ronnie Burkett Theatre of Marionettes:  Penny Plain </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Thu, Jan 16 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Little Theater at Macgowan Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>"The marionettes are beautiful small works of great art that,<br>despite the long strings in this production, Burkett handles<br>with shocking mastery...your eye is always drawn down-string<br>to the puppets into which he has so authentically infused with<br>life. His talent is simply extraordinary."</b><br>-<i>Globe and Mail</i> (Toronto, ON)<div><br><div><br>This utterly masterful 'end of the world romance' is told through<br>the brilliant theater artistry of the one-of-a-kind marionette<br>maker <b>Ronnie Burkett</b>.andnbsp;</div><div><br></div><div>Penny Plain sits in her overstuffed chair, listening to the<br>news of civilization's inevitable end, and then the outside chaos<br>invades her sanctuary. With a cast including survivalists, a serial<br>killer, a cross-dressing banker, talking dogs and mysterious<br>strangers, Penny Plain is a poignant and disturbing drawing-room<br>comedy of apocalyptic proportions.andnbsp;</div><div><br></div><div>Ronnie Burkett is recognized as one of Canada's foremost<br>theater artists and has been credited with creating some of the<br>world's most elaborate and provocative puppetry. His company,<br>Ronnie Burkett Theatre of Marionettes, sparked a renaissance in<br>adult puppet theater-continuously playing to great critical and<br>public acclaim across Canada and throughout the world.</div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/405.jpg</ucla:image>
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			<title>Ronnie Burkett Theatre of Marionettes:  Penny Plain  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=418</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=418</guid>
			<description>Fri, Jan 17  at Little Theater at Macgowan Hall</description>
			<ucla:Artist>Ronnie Burkett Theatre of Marionettes:  Penny Plain </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Fri, Jan 17 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Little Theater at Macgowan Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>"The marionettes are beautiful small works of great art that,<br>despite the long strings in this production, Burkett handles<br>with shocking mastery...your eye is always drawn down-string<br>to the puppets into which he has so authentically infused with<br>life. His talent is simply extraordinary."</b><br>-<i>Globe and Mail</i> (Toronto, ON)<div><br><div><br>This utterly masterful 'end of the world romance' is told through<br>the brilliant theater artistry of the one-of-a-kind marionette<br>maker <b>Ronnie Burkett</b>. </div><div><br></div><div>Penny Plain sits in her overstuffed chair, listening to the<br>news of civilization's inevitable end, and then the outside chaos<br>invades her sanctuary. With a cast including survivalists, a serial<br>killer, a cross-dressing banker, talking dogs and mysterious<br>strangers, Penny Plain is a poignant and disturbing drawing-room<br>comedy of apocalyptic proportions. </div><div><br></div><div>Ronnie Burkett is recognized as one of Canada's foremost<br>theater artists and has been credited with creating some of the<br>world's most elaborate and provocative puppetry. His company,<br>Ronnie Burkett Theatre of Marionettes, sparked a renaissance in<br>adult puppet theater-continuously playing to great critical and<br>public acclaim across Canada and throughout the world.</div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/418.jpg</ucla:image>
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			<title>Ronnie Burkett Theatre of Marionettes:  Penny Plain  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=419</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=419</guid>
			<description>Sat, Jan 18  at Little Theater at Macgowan Hall</description>
			<ucla:Artist>Ronnie Burkett Theatre of Marionettes:  Penny Plain </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sat, Jan 18 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Little Theater at Macgowan Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>"The marionettes are beautiful small works of great art that,<br>despite the long strings in this production, Burkett handles<br>with shocking mastery...your eye is always drawn down-string<br>to the puppets into which he has so authentically infused with<br>life. His talent is simply extraordinary."</b><br>-<i>Globe and Mail</i> (Toronto, ON)<div><br><div><br>This utterly masterful 'end of the world romance' is told through<br>the brilliant theater artistry of the one-of-a-kind marionette<br>maker <b>Ronnie Burkett</b>. </div><div><br></div><div>Penny Plain sits in her overstuffed chair, listening to the<br>news of civilization's inevitable end, and then the outside chaos<br>invades her sanctuary. With a cast including survivalists, a serial<br>killer, a cross-dressing banker, talking dogs and mysterious<br>strangers, Penny Plain is a poignant and disturbing drawing-room<br>comedy of apocalyptic proportions. </div><div><br></div><div>Ronnie Burkett is recognized as one of Canada's foremost<br>theater artists and has been credited with creating some of the<br>world's most elaborate and provocative puppetry. His company,<br>Ronnie Burkett Theatre of Marionettes, sparked a renaissance in<br>adult puppet theater-continuously playing to great critical and<br>public acclaim across Canada and throughout the world.</div></div>]]></ucla:bio>
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			<title>Ronnie Burkett Theatre of Marionettes:  Penny Plain  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=420</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=420</guid>
			<description>Sun, Jan 19  at Little Theater at Macgowan Hall</description>
			<ucla:Artist>Ronnie Burkett Theatre of Marionettes:  Penny Plain </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Sun, Jan 19 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Little Theater at Macgowan Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>"The marionettes are beautiful small works of great art that,<br>despite the long strings in this production, Burkett handles<br>with shocking mastery...your eye is always drawn down-string<br>to the puppets into which he has so authentically infused with<br>life. His talent is simply extraordinary."</b><br>-<i>Globe and Mail</i> (Toronto, ON)<div><br><div><br>This utterly masterful 'end of the world romance' is told through<br>the brilliant theater artistry of the one-of-a-kind marionette<br>maker <b>Ronnie Burkett</b>. </div><div><br></div><div>Penny Plain sits in her overstuffed chair, listening to the<br>news of civilization's inevitable end, and then the outside chaos<br>invades her sanctuary. With a cast including survivalists, a serial<br>killer, a cross-dressing banker, talking dogs and mysterious<br>strangers, Penny Plain is a poignant and disturbing drawing-room<br>comedy of apocalyptic proportions. </div><div><br></div><div>Ronnie Burkett is recognized as one of Canada's foremost<br>theater artists and has been credited with creating some of the<br>world's most elaborate and provocative puppetry. His company,<br>Ronnie Burkett Theatre of Marionettes, sparked a renaissance in<br>adult puppet theater-continuously playing to great critical and<br>public acclaim across Canada and throughout the world.</div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/420.jpg</ucla:image>
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			<title>Wayne McGregor | Random Dance:  FAR  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=375</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=375</guid>
			<description>Fri, Jan 24  at Royce Hall</description>
			<ucla:Artist>Wayne McGregor | Random Dance:  FAR </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Fri, Jan 24 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><div>With <i>FAR</i>, multi-award-winning British choreographer<b> Wayne McGregor </b>takes a particular creative journey, inspired by the controversial Age of Enlightenment and by 18th-century French philosopher Diderot's very first set of encyclopedia. The resulting choreography is bold, immediate, lush in detail, and McGregor's link to cognitive research adds a cerebral dimension where neural-pathways inform a spectacular scenic backdrop.</div></div><div><br></div>Since its 2010 premiere, <i>FAR</i>andnbsp has picked up accolades for McGregor's ever-insightful vision. McGregor is renowned for his<br>physicality-testing choreography and collaborations across dance,<br>film, music, visual art, technology and science. He is the Artistic<br>Director of <b>Wayne McGregor | Random Dance</b>, Resident Company<br>at Sadler's Wells Theatre in London and a Resident Choreographer<br>of The Royal Ballet. In January 2011, McGregor was awarded a CBE<br>(Commander of the Order of the British Empire).<div><br></div><div><div>Concept, Direction and Choreography: <b>Wayne McGregor</b></div><div>Music: <b>Ben Frost</b></div><div>Costume Design: <b>Moritz Junge</b></div><div>Set Design: <b>rAndom International</b></div><div>Lighting Design: <b>Lucy Carter</b></div></div><div><br></div><div><br></div><div><div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"="">FAR is co-produced by Sadler's Wells, London, UK and Peak Performances @ Montclair State University, Montclair, USA and is made possible in part by a grant from the Association of Performing Arts Presenters Creative Campus Innovations Grant Program, funded by the Doris Duke Charitable Foundation.</span></p></div></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/375.jpg</ucla:image>
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			<title>Wayne McGregor | Random Dance:  FAR  LOS ANGELES PREMIERE</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=376</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=376</guid>
			<description>Sat, Jan 25  at Royce Hall</description>
			<ucla:Artist>Wayne McGregor | Random Dance:  FAR </ucla:Artist>
			<ucla:Line1>LOS ANGELES PREMIERE</ucla:Line1>
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			<ucla:ShowDate>Sat, Jan 25 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><div>With <i>FAR</i>, multi-award-winning British choreographer<b> Wayne McGregor </b>takes a particular creative journey, inspired by the controversial Age of Enlightenment and by 18th-century French philosopher Diderot's very first set of encyclopedia. The resulting choreography is bold, immediate, lush in detail, and McGregor's link to cognitive research adds a cerebral dimension where neural-pathways inform a spectacular scenic backdrop.</div></div><div><br></div>Since its 2010 premiere, <i>FAR</i>  has picked up accolades for McGregor's ever-insightful vision. McGregor is renowned for his<br>physicality-testing choreography and collaborations across dance,<br>film, music, visual art, technology and science. He is the Artistic<br>Director of <b>Wayne McGregor | Random Dance</b>, Resident Company<br>at Sadler's Wells Theatre in London and a Resident Choreographer<br>of The Royal Ballet. In January 2011, McGregor was awarded a CBE<br>(Commander of the Order of the British Empire).<div><br></div><div><div>Concept, Direction and Choreography: <b>Wayne McGregor</b></div><div>Music: <b>Ben Frost</b></div><div>Costume Design: <b>Moritz Junge</b></div><div>Set Design: <b>rAndom International</b></div><div>Lighting Design: <b>Lucy Carter</b></div></div><div><br></div><div><br></div><div><div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"="">FAR is co-produced by Sadler's Wells, London, UK and Peak Performances @ Montclair State University, Montclair, USA and is made possible in part by a grant from the Association of Performing Arts Presenters Creative Campus Innovations Grant Program, funded by the Doris Duke Charitable Foundation.</span></p></div></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/376.jpg</ucla:image>
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			<title>Los Angeles Chamber Orchestra:  Mozart and Beethoven </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=377</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=377</guid>
			<description>Sun, Jan 26  at Royce Hall</description>
			<ucla:Artist>Los Angeles Chamber Orchestra:  Mozart and Beethoven </ucla:Artist>
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			<ucla:ShowDate>Sun, Jan 26 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>Matthew Halls</b>, conductor</div><div><b>Margaret Batjer</b>, violin</div><div><b>Andrew Shulman</b>, cello</div><div><b>Allan Vogel</b>, oboe</div><div><b>Kenneth Munday</b>, bassoon</div><div><br></div><div><b>Mozart </b>Ballet Music from <i>Idomeneo</i>, K. 367</div><div><b>Haydn </b>Sinfonia concertante in B-flat major</div><div><b>Aaron Jay Kernis</b> <i>Musica Celestis</i></div><div><b>Beethoven </b>Symphony No. 1 in C major</div><div><br></div><div>"A fresh and forceful talent," (<i>The Scotsman</i>) <b>Matthew Halls</b>' "music-making is strongly and clearly sculpted." (<i>The Times</i>, London)</div><div><br></div><div>"concertmaster <b>Margaret Batjer</b> contributed memorable poignancy." (<i>Los Angeles Times</i>)</div><div><br></div><div>Principal cello <b>Andrew Shulman</b> performs with "nuanced and impassioned playing." (<i>Salt Lake Tribune</i>)</div><div><br></div><div>"No oboist anywhere exceeds the virtuosic musicality of <b>Allen Vogel</b>." (<i>LA Opus</i>)</div><div><br></div><div>"The beautiful control... that <b>[Kenneth] Munday</b> brings to [the bassoon] is a wonder to hear." (<i>Sequenza21</i>)</div><div><br></div><div><br></div><div>LACO has long called Royce Hall its home on the Westside and joins CAP UCLA as resident orchestra for the 2013-2014 season. We're pleased to offer CAP UCLA subscribers the chance to incorporate any performance from LACO's 7-event season into their season subscription.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/377.jpg</ucla:image>
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			<title>Mike Daisey:  American Utopias </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=378</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=378</guid>
			<description>Thu, Feb 6  at Royce Hall</description>
			<ucla:Artist>Mike Daisey:  American Utopias </ucla:Artist>
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			<ucla:ShowDate>Thu, Feb 6 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div>Created and Performed by <b>Mike Daisey</b></div><div>Directed by <b>Jean-Michele Gregory</b></div><div><br></div><b>Mike Daisey</b> is the preeminent monologist working in theater today, hailed by<br><i>The New York Times</i> as "the master storyteller" and called by many a modern-day<br>Mark Twain. <div><br></div><div>In <i>American Utopias</i> he explores how we create public spaces<br>where we act out our dreams of a better world. Daisey takes us everywhere to<br>pursue the story: from Disney World and its nostalgic theme park perfection,<br>to the drug-fueled anarchic excesses of Burning Man, to Zuccotti Park, where<br>in the unlikeliest place the Occupy movement is born. Gunplay, giant glittery<br>dildos, raving animatronic presidents, and brutal police actions come together<br>to paint the landscape of our American dream.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/378.jpg</ucla:image>
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			<title>Bassekou Kouyate plus True Blues  (Corey Harris, Alvin Youngblood Hart, Guy Davis)</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=379</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=379</guid>
			<description>Sat, Feb 8  at Royce Hall</description>
			<ucla:Artist>Bassekou Kouyate plus True Blues  (Corey Harris, Alvin Youngblood Hart, Guy Davis)</ucla:Artist>
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			<ucla:ShowDate>Sat, Feb 8 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Malian griot <b>Bassekou Kouyate</b> has taken the Ngoni-the fourstringed<br>African lute and ancestor of the banjo-and exuberantly<br>hurtled it into the 21st century. His blistering band <b>Ngoni Ba</b> is<br>comprised of four sizes of ngoni and features intricate, quickfingered<br>music. Backed by percussion from the calabashes and<br>tama (West African pressure drum) with <b>Amy Sacko</b> in lead vocals,<br>this concert is an energizing ensemble of remarkable lineage. <div><br></div><div>After<br>performing with notable Malian musicians like Ali Farka Touré<br>and Toumani Diabaté, Kouyate has pushed his instrument into<br>the foreground of contemporary world music and multiplied it into<br>a thrilling ensemble format. </div><div><br></div><div>Opening the evening is <b>Corey Harris</b>' project <b>True Blues</b>,<br>a live music companion piece to the eponymous Martin Scorsese<br>documentary. The band features MacArthur Genius Grant winner<br>Harris along with the cosmic <b>Alvin Youngblood Hart</b> and the great<br><b>Guy Davis</b> in a stripped-down acoustic set that brilliantly traces the<br>West African ancestry of the blues.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/379.jpg</ucla:image>
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			<title>Jóhann Jóhannsson  featuring American Contemporary Music Ensemble: Bill Morrison's  The Miners' Hymns </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=380</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=380</guid>
			<description>Fri, Feb 14  at Royce Hall</description>
			<ucla:Artist>Jóhann Jóhannsson  featuring American Contemporary Music Ensemble: Bill Morrison's  The Miners' Hymns </ucla:Artist>
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			<ucla:ShowDate>Fri, Feb 14 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[This elegy, in film and music, to the coal-mining history of North East England, is the<br>product of an exceptional creative collaboration between renowned filmmaker <b>Bill<br>Morrison</b> (Decasia) and Icelandic musician and composer <b>Jóhann Jóhannsson</b>.andnbsp;<div><br></div><div>Jóhannsson provides electronic music for this live performance of his eclectic<br>score, accompanying the renowned <b>American Contemporary Music Ensemble<br>(ACME)</b> and the <b>UCLA Brass Ensemble</b>, directed by <b>Jens Lindemann</b>.andnbsp;</div><div><br></div><div>Collaged from rare archive film footage and drawing on the region's brass music<br>culture, <i>The Miners' Hymns</i> celebrates the endurance, vibrant community and rich<br>culture that characterized the lives of those who worked underground.andnbsp;</div><div><br></div><div>This haunting and inspired documentary project "leaves the audience with the<br>ineffable sense of being between times, landscapes and emotions," according to the<br><i>Washington Post</i>. In 2012, <i>The New Yorker</i>'s classical music critic Alex Ross named<br><i>The Miners' Hymns</i> best film score of the year.</div><div><br></div><div><br></div><div><br></div><div><hr></div><div><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Produced by Forma.</font></span><p></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/380.jpg</ucla:image>
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			<title>Sandra Bernhard:  I Love Being Me, Don't You? </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=381</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=381</guid>
			<description>Sat, Feb 15  at Royce Hall</description>
			<ucla:Artist>Sandra Bernhard:  I Love Being Me, Don't You? </ucla:Artist>
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			<ucla:ShowDate>Sat, Feb 15 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>Sandra Bernhard </b>wears many hats with a rare agility and<br>she dons them all in her one-woman show. Comedienne, torch<br>singer and monologist, Bernhard's live performances are an<br>exciting hybrid of stand-up comedy and rockstar antics-a<br>compelling mix of political satire and pop-culture commentary. <div><br></div><div>A respected actress (TV's <i>Roseanne</i>, Martin Scorsese's<br><i>The King of Comedy</i>), singer and author, Bernhard's career as<br>comedienne began in L.A.'s famed Comedy Store in the '70s.<br>Her first one-woman show, <i>Without You I'm Nothing</i> ran for<br>six months off-Broadway and served as inspiration for an<br>eponymous film and album.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/381.jpg</ucla:image>
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			<title>Jack DeJohnette, Joe Lovano, Esperanza Spalding and Leo Genovese:  The Spring Quartet </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=382</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=382</guid>
			<description>Sat, Feb 22  at Royce Hall</description>
			<ucla:Artist>Jack DeJohnette, Joe Lovano, Esperanza Spalding and Leo Genovese:  The Spring Quartet </ucla:Artist>
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			<ucla:ShowDate>Sat, Feb 22 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[In the vibrant landscape of modern music, these four performers are powerful<br>ambassadors of not only jazz alone, but of intersecting and evolving forms<br>that reverberate across musical languages. They come together for a very<br>special quartet configuration that showcases their shared artistic depth and<br>individual breadth of influence.andnbsp;<div><br></div><div>One of the most respected drummers in the<br>world, National Endowment for the Arts Jazz Master <b>Jack DeJohnette</b><br>is capable of playing in any style while maintaining a well-defined voice,<br>keeping him in constant demand as a player, bandleader, and sideman for over five decades.andnbsp;</div><div><br></div><div>Grammy<br>award winning saxophone giant <b>Joe Lovano</b> has distinguished himself as a prescient and path-finding<br>force in the arena of creative music.andnbsp;</div><div><br></div><div>Young bassist/vocalist/composer <b>Esperanza Spalding</b> received the<br>2011 Grammy for Best New Artist  becoming a trailblazer as the first jazz musician in history to win that<br>award.andnbsp;</div><div><br></div><div>The all-star frontline is rounded out by the amazing Argentine pianist <b>Leo Genovese</b>.</div><div><br></div><div><br></div><div><hr></div><div><p class="MsoNormal">Supported in part by the Ginny Mancini Endowment for Vocal Performance.</p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/382.jpg</ucla:image>
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			<title>The Paul Dresher Ensemble - Schick Machine</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=383</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=383</guid>
			<description>Sat, Mar 1  at Freud Playhouse</description>
			<ucla:Artist>The Paul Dresher Ensemble - Schick Machine</ucla:Artist>
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			<ucla:ShowDate>Sat, Mar 1 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<div>Collaboratively created by:</div><div><b>Paul Dresher</b> - <i>Composer, Instrument </i><i>Inventor and Builder</i></div><div><b>Steven Schick</b> - <i>Performer/Percussionist</i></div><div><b>Rinde Eckert</b> - <i>Director/Writer</i></div><div><b>Matt Heckert</b> - <i>Mechanical Sound Artist</i></div><div><b>Daniel Schmidt</b> - <i>Instrument Inventor and Builder</i></div><div><i><br></i></div><br>Enter a highly theatrical world of sonic<br>surprises and visual delight. Relinquish all<br>expectations of what an instrument should<br>look like, how it should be played, and what<br>sounds it can make. <div><br></div><div>Meet indefatigable<br>collector and inventor Laslo Klangfarben (played by<br><b>Steven Schick</b>), who is consumed by a grandiose plan to<br>build a "machine" that will reconcile his memories of the<br>past with his dreams for the future. As he creates, he is<br>frequently seduced by unexpected sounds from random<br>objects littering the stage and in the musical contraptions<br>populating his crowded workshop. </div><div><br></div><div>Brought to life by a talented team of multidisciplinary<br>artists, this unique instrument and performance event<br>explores a visually compelling world of mechanical<br>devices, invented instruments and seemingly infinite<br>sonic possibilities.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/383.jpg</ucla:image>
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			<title>The Paul Dresher Ensemble - Schick Machine</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=384</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=384</guid>
			<description>Sun, Mar 2  at Freud Playhouse</description>
			<ucla:Artist>The Paul Dresher Ensemble - Schick Machine</ucla:Artist>
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			<ucla:ShowDate>Sun, Mar 2 </ucla:ShowDate>
			<ucla:ShowTime>02:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[<div>Collaboratively created by:</div><div><b>Paul Dresher</b> - <i>Composer, Instrument </i><i>Inventor and Builder</i></div><div><b>Steven Schick</b> - <i>Performer/Percussionist</i></div><div><b>Rinde Eckert</b> - <i>Director/Writer</i></div><div><b>Matt Heckert</b> - <i>Mechanical Sound Artist</i></div><div><b>Daniel Schmidt</b> - <i>Instrument Inventor and Builder</i></div><div><i><br></i></div><br>Enter a highly theatrical world of sonic<br>surprises and visual delight. Relinquish all<br>expectations of what an instrument should<br>look like, how it should be played, and what<br>sounds it can make. <div><br></div><div>Meet indefatigable<br>collector and inventor Laslo Klangfarben (played by<br><b>Steven Schick</b>), who is consumed by a grandiose plan to<br>build a "machine" that will reconcile his memories of the<br>past with his dreams for the future. As he creates, he is<br>frequently seduced by unexpected sounds from random<br>objects littering the stage and in the musical contraptions<br>populating his crowded workshop. </div><div><br></div><div>Brought to life by a talented team of multidisciplinary<br>artists, this unique instrument and performance event<br>explores a visually compelling world of mechanical<br>devices, invented instruments and seemingly infinite<br>sonic possibilities.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/384.jpg</ucla:image>
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			<title>Naomi Shihab Nye:  Writing the Poetry Landscape </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=426</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=426</guid>
			<description>Sat, Mar 8  at Davis Courtyard at Fowler Museum</description>
			<ucla:Artist>Naomi Shihab Nye:  Writing the Poetry Landscape </ucla:Artist>
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			<ucla:ShowDate>Sat, Mar 8 </ucla:ShowDate>
			<ucla:ShowTime>07:30 PM</ucla:ShowTime>
			<ucla:Theater>Davis Courtyard at Fowler Museum</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal"><b>Naomi Shihab Nye</b> is an award-winning Palestinian-American writer,<br>anthologist, educator and self-described "wandering poet" who "breathes poetry<br>like the rest of us breathe air," as described by the <i>Grand Rapids Press</i>.<br>"Drawing on her Palestinian-American heritage, the cultural diversity of her<br>home in Texas, and her experiences traveling in Asia, Europe, Canada, Mexico,<br>Central and South America and the Middle East, Nye uses her writing to attest<br>to our shared humanity.</p><br><br><span style="font-size:10.0pt;font-family:" times="" new="" roman","serif";mso-fareast-font-family:="" "times="" roman";mso-ansi-language:en-us;mso-fareast-language:en-us;="" mso-bidi-language:ar-sa"="">The author of author and/or editor of more than 30<br>volumes , Nye has been a Lannan Fellow, a Guggenheim Fellow, and a Witter<br>Bynner Fellow (Library of Congress). She has received numerous honors including<br>a Lavan Award from the Academy of American Poets, the Isabella Gardner Poetry<br>Award, the Lee Bennett Hopkins Poetry Award and more.andnbsp; In 2011 Nye won the Golden Rose Award given<br>by the New England Poetry Club, the oldest poetry reading series in the country.</span><div><br></div><div><br></div><div><hr></div><div><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Throughout the 2013-2014 season, we will continue to explore this "Writing the Landscape" concept as part of our two-year Art in Action initiative <i><a href="http://cap.ucla.edu/artinaction/poet.asp" title="" target="">Who is the Poet in Your Life?</a></i> For more information visit <b><a href="cap.ucla.edu/artinaction" title="" target="">cap.ucla.edu/artinaction</a></b></font></span></div>]]></ucla:bio>
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			<title>Fred Hersch and Julian Lage</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=385</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=385</guid>
			<description>Sun, Mar 9  at Schoenberg Hall</description>
			<ucla:Artist>Fred Hersch and Julian Lage</ucla:Artist>
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			<ucla:ShowDate>Sun, Mar 9 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Schoenberg Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>Fred Hersch</b> is a pianistic innovator in a highly expressive style that combines sumptuous<br>emotion with technical mastery. Hersch creates luxurious, free-flowing, unashamedly gorgeous<br>and idiosyncratic music. <div><br></div><div>A mentor to at least two of the most important players on the scene<br>in the last decade-Brad Mehldau and Ethan Iverson-for this evening Hersch once again<br>pairs with a rising star, virtuoso guitarist <b>Julian Lage</b>. <div><br></div><div>Hersch and Lage have been performing<br>together regularly since 2011 to rave reviews. The two Grammy nominees will blend Hersch's<br>innovative and seasoned talents on the piano with Lage's purity of tone and consistency<br>of attack on the guitar for an unforgettable evening of emotive musical conversation at its<br>most sublime.</div></div>]]></ucla:bio>
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			<title>Kronos Quartet with special guest Wu Man:  40th Anniversary Celebration </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=386</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=386</guid>
			<description>Fri, Mar 14  at Royce Hall</description>
			<ucla:Artist>Kronos Quartet with special guest Wu Man:  40th Anniversary Celebration </ucla:Artist>
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			<ucla:ShowDate>Fri, Mar 14 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[San Francisco's Grammy-winning, world-renowned <b>Kronos Quartet</b> celebrates 40 years with<br>a career-spanning program steeped in the quartet's trademark eclecticism. <div><br></div><div>The evening includes two Los Angeles premieres: a new arrangement of Philip Glass'<br><i>Orion: China</i>, featuring pipa virtuoso and longtime Kronos collaborator <b>Wu Man</b>; and the<br>work for Kronos from the recipient of the fifth "Kronos: Under 30 Project" commission for<br>young composers. </div><div><br></div><div>The program also includes recent Kronos favorites such as the surging<br><i>Death Is the Road to Awe</i> from Clint Mansell's score to <i>The Fountain</i>; the Jewish blessing<br><i>Sim Sholom</i>, in an arrangement based on a 1913 recording by the great cantor Alter Yechiel<br>Karniol; and an arrangement of Wagner's mesmerizing <i>Prelude </i>to <i>Tristan und Isolde</i>. </div><div><br></div><div>Complementing these newer works are two classics from the Kronos repertoire: Polish<br>composer Krzysztof Penderecki's early <i>Quartetto per archi</i> and the work that inspired Kronos'<br>founding in 1973, George Crumb's haunting, Vietnam War themed <i>Black Angels</i>.</div>]]></ucla:bio>
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			<title>Estrella Morente:  Autorretrato </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=387</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=387</guid>
			<description>Sun, Mar 16  at Royce Hall</description>
			<ucla:Artist>Estrella Morente:  Autorretrato </ucla:Artist>
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			<ucla:ShowDate>Sun, Mar 16 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Spanish flamenco singer <b>Estrella Morente</b>,<br>the daughter of extraordinary cantaor<br>Enrique Morente, has spent her entire life<br>working within a centuries-old musical<br>tradition. At the age of seven she embraced<br>the flamenco tradition by performing live<br>with her father. <div><br></div><div>Known today in the U.S.<br>for giving voice to Penelope Cruz' character in acclaimed filmmaker Pedro Almodovar's masterpiece<br>Volver, Morente represents, to many, the future of the art form. Ben Ratliff of <i>The New York Times</i><br>proclaimed upon her U.S. debut five years ago that she "represents both where flamenco comes from<br>and where it's going." </div><div><br></div><div>Her remarkable ensemble carries her voice with textured guitar work and the<br>subtle yet hypnotic artistry of palmas (or handclapping). In her Los Angeles debut, Estrella will grace<br>the Royce Hall stage in a concert evening imbued with her elegance, passion and poise.</div><br><div><br></div><div><br></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2"></font></span></p></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span style="font-size: small;">Supported in part by José Luis Nazar Endowment for the Performing Arts.</span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/387.jpg</ucla:image>
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			<title>Los Angeles Chamber Orchestra:  Bach's Birthday </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=388</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=388</guid>
			<description>Sun, Mar 23  at Royce Hall</description>
			<ucla:Artist>Los Angeles Chamber Orchestra:  Bach's Birthday </ucla:Artist>
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			<ucla:ShowDate>Sun, Mar 23 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>James Feddeck</b>,<b> </b>conductor</div><div><b>Jaime Laredo</b>, violin</div><div><b>Jennifer Koh</b>, violin</div><div><br></div><div><div><b>Mendelssohn</b> "The Fair Melusina" Overture</div><div><b>Anna Clyne</b> <i>Prince of Clouds</i> (West Coast premiere)</div><div>(LACO co-commission with the Chicago Symphony Orchestra,</div><div>IRIS Orchestra and the Curtis Institute of Music)</div><div><b>Bach</b> Concerto in D minor for Two Violins, BWV 1043</div><div><b>Schubert</b> Symphony No. 3 in D major</div></div><div><br></div><div>"A conductor to watch," <b>James Feddeck</b> brings "sparkling clarity and palpable congeniality." (<i>Cleveland Plain Dealer</i>)</div><div><br></div><div>Iconic violinist <b>Jaime Laredo</b> creates music that "comes only from understanding, love, painstaking care, and quite simply, great ability." (<i>The Guardian</i>)</div><div><br></div><div>"An exciting American violinist," <b>Jennifer Koh</b> plays "with consummate skill and passion." (<i>The New York Times</i>)</div><div><br></div><div><br></div><div>LACO has long called Royce Hall its home on the Westside and joins CAP UCLA as resident orchestra for the 2013-2014 season. We're pleased to offer CAP UCLA subscribers the chance to incorporate any performance from LACO's 7-event season into their season subscription.</div><div><br></div>]]></ucla:bio>
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			<title>Imani winds featuring Simon Shaheen:  Zahir </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=389</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=389</guid>
			<description>Thu, Mar 27  at Schoenberg Hall</description>
			<ucla:Artist>Imani winds featuring Simon Shaheen:  Zahir </ucla:Artist>
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			<ucla:ShowDate>Thu, Mar 27 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Schoenberg Hall</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">North America's<br>premier wind quintet <b>Imani Winds</b><br>plus special guest Palestinian-American oud and violin virtuoso and composer <b>Simon Shaheen</b>  will perform a program featuring works by<br>Shaheen, Miguel del Aguila, Valerie Coleman, Mohammad Fairouz and more.<o:p></o:p></font></span></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">Imani Winds has<br>established itself as one of the most successful chamber music ensembles in the<br>United States. Since 1997, the Grammy-nominated quintet has taken a unique<br>path, carving out a distinct presence in the classical music world with its<br>dynamic playing, culturally poignant programming, adventurous collaborations,<br>and inspirational outreach programs. With two member composers and a deep<br>commitment to commissioning new work, the group is enriching the traditional wind<br>quintet repertoire while meaningfully bridging European, American, African and<br>Latin American traditions.<o:p></o:p></font></span></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">Simon Shaheen has<br>established himself as a virtuoso on two instruments; the violin and the oud, a Middle Eastern precursor<br>of the lute. In addition to being a master player, he's also a renowned<br>composer of Arabic and Western music and a teacher who has done a great deal to<br>foster Arabic music in the West.</font><o:p></o:p></span></p>]]></ucla:bio>
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			<title>ETHEL featuring Kaki King:  ...And Other Stories </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=390</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=390</guid>
			<description>Fri, Mar 28  at Schoenberg Hall</description>
			<ucla:Artist>ETHEL featuring Kaki King:  ...And Other Stories </ucla:Artist>
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			<ucla:ShowDate>Fri, Mar 28 </ucla:ShowDate>
			<ucla:ShowTime>06:00 PM</ucla:ShowTime>
			<ucla:Theater>Schoenberg Hall</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal"><span style="font-size: small;">Improvisational string quartet ETHEL featuring American guitarist and composer Kaki King will perform work by King, Phil Kline, John Zorn, Bach and Aleskandra Vrebalov.</span></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">ETHEL has been a post-classical<br>pioneer since the group's founding in 1998, invigorating contemporary concert<br>music with exuberance, intensity, imaginative programming and exceptional<br>artistry. With an eye on tradition and an ear to the future, ETHEL is a leading<br>force in concert music's reengagement with musical vernaculars, fusing diverse<br>traditions into a vibrant sound that resonates with audiences the world over.<br>The New York City-based quartet is comprised of <b>Ralph Farris</b> (viola), <b>Dorothy<br>Lawson</b> (cello), <b>Kip Jones</b> (violin) and <b>Tema Watstein</b> (violin).<o:p></o:p></font></span></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">Hailed by <i>Rolling<br>Stone</i> as "a genre unto herself," Kaki King is a true iconoclast, a visionary<br>musician/artist whose singular work rightly stands out amongst the easily<br>formatted. Over her decade-long career<br>thus far, the Brooklyn-based guitarist/composer has recorded five<br>extraordinarily diverse and distinctive LPs, performed with such icons as Foo<br>Fighters, Timbaland, and The Mountain Goats, contributed to a variety of film<br>and TV soundtracks (spanning Golden Globe-nominated work on Sean Penn's <i>Into<br>The Wild</i> to scoring  and appearing in as guitar-playing hand double  the<br>acclaimed 2007 drama, <i>August Rush</i>), and played to ever-growing audiences on innumerable<br>world tours.andnbsp;andnbsp;</font></span></p><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">Each twist and veer marked<br>the turning of a page, another step forward on a truly exceptional musical<br>path. Beginning with 2002's <i>Everybody<br>Loves You</i>  to date, her only fully acoustic guitar recording  King has<br>expanded and reconceived the role of the solo instrumental artist, constantly<br>kicking at the boundaries of what's expected.</font><o:p></o:p></span></p>]]></ucla:bio>
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			<title>An evening with yMusic</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=391</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=391</guid>
			<description>Fri, Mar 28  at Schoenberg Hall</description>
			<ucla:Artist>An evening with yMusic</ucla:Artist>
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			<ucla:ShowDate>Fri, Mar 28 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Schoenberg Hall</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal"><font size="2">The inventively modern six-piece chamber ensemble yMusic will perform work by Gyorgy Ligeti, Johnny Greenwood and San Francisco noise band Deerhoof.</font></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">Hailed by NPR's<br>Fred Child as "one of the groups that has really helped to shape the future of<br>classical music," yMusic is a sextet of young performers equally comfortable in<br>the overlapping classical and pop music worlds. The "six hip virtuosi" (<i>Time Out<br>NY</i>) play a unique combination of instruments: string trio, flute, clarinet and<br>trumpet.andnbsp;</font></span></p><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">This exciting orchestration has inspired an expanding repertoire of<br>works by some of today's most important artists. Indie rock luminaries Annie<br>Clark (St. Vincent), Shara Worden (My Brightest Diamond) and Ryan Lott (Son<br>Lux), have crafted instrumental works specifically for the ensemble. On<br>yMusic's debut album, "Beautiful Mechanical," the group pairs these works with<br>pieces by emerging composers Judd Greenstein, Sarah Kirkland Snider, and<br>Gabriel Kahane, a result that was recently named <i>Time Out New York's</i> #1<br>Classical Record of 2011.<o:p></o:p></font></span></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">In addition to performing its own repertoire,<br>yMusic serves as a ready-made collaborative unit for bands and songwriters. In<br>the 2012-13 season, yMusic launched new projects with Dirty Projectors, Gabriel<br>Kahane and Richard Reed Parry of Arcade Fire. Past collaborations have included<br>work with The National, St. Vincent, My Brightest Diamond, Aaron and Bryce<br>Dessner, Ra Ra Riot, and Justin Vernon of Bon Iver.</font><o:p></o:p></span></p>]]></ucla:bio>
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			<title>eighth blackbird and friends</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=392</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=392</guid>
			<description>Sat, Mar 29  at Schoenberg Hall</description>
			<ucla:Artist>eighth blackbird and friends</ucla:Artist>
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			<ucla:ShowDate>Sat, Mar 29 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Schoenberg Hall</ucla:Theater>
			<ucla:bio><![CDATA[<p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">The Royce Hall<br>performance from Chicago-based, Grammy-winning sextet <b>eighth blackbird</b> will<br>include works by Tristan Perich and Bryce Dessner, as well as a live<br>collaboration with members of all the <b>Tune-In Festival L.A.</b> ensembles to perform<br>Louis Andriessen's <i>Worker's Union</i> and Steve Reich's <i>Music for 18 Musicians</i>.<o:p></o:p></font></span></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">eighth<br>blackbird-<b>Tim Munro</b> (flutes),andnbsp;<b>Michael J. Maccaferri </b>(clarinets),andnbsp;<b>Yvonne Lam</b> (violin andamp; viola),andnbsp;<b>Nicholas<br>Photinos</b>andnbsp;(cello),andnbsp;<b>Matthew Duvall</b> (percussion), <b>Lisa Kaplan</b> (piano)- combines<br>the finesse of a string quartet, the energy of a rock band and the audacity of<br>a storefront theater company. The Chicago-based, three-time Grammy-winning<br>"super-musicians" (<i>LA Times</i>) entertain and provoke audiences across the country<br>and around the world.<o:p></o:p></font></span></p><br><br><p class="MsoNormal"><span style="font-family:" brown","serif""=""><font size="2">In addition to its<br>longstanding and fruitful relationships as Ensemble in Residence at the<br>University of Richmond and University of Chicago, in 2012 eighth blackbird<br>commences a three-year, Mellon Foundation-funded term as Ensemble in Residence<br>at Philadelphia's Curtis Institute of Music. eighth blackbird will also lead<br>extended, one-time residencies at University of Texas at Austin and the<br>University of Maryland.</font>andnbsp;<o:p></o:p></span></p><br><div><br></div><div><hr></div><div><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Henry Mancini Tribute Fund and the Sally andamp; William A. Rutter Endowment for the Performing Arts.</font></span></div>]]></ucla:bio>
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			<title>Masters of Tradition:  A Living History of Irish Music </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=406</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=406</guid>
			<description>Sun, Mar 30  at Royce Hall</description>
			<ucla:Artist>Masters of Tradition:  A Living History of Irish Music </ucla:Artist>
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			<ucla:ShowDate>Sun, Mar 30 </ucla:ShowDate>
			<ucla:ShowTime>02:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[If you have a kid who's ever spontaneously danced a jig;<br>if you're the kind of grownup who often feels like dancing a<br>jig right along with them, this joyous performance of tried-and-<br>true Irish tunes is for you and the whole family to enjoy. <div><b><br></b></div><div><b>Masters of Tradition</b> artistic director and expert fiddler<br><b>Martin Hayes</b> has gathered seven of the most exciting artists<br>in Irish music to celebrate their art forms, from lament to<br>jig and back again, through a musical and cultural lineage<br>of epic proportion. </div><div><br></div><div>Through solos, duets, trios, and full-group<br>collaborations, they'll take us on a sonic journey into<br>the lush, joyful and sometimes melancholic musical world<br>of the Emerald Isle.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/406.jpg</ucla:image>
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			<title>Masters of Tradition:  A Living History of Irish Music </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=407</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=407</guid>
			<description>Sun, Mar 30  at Royce Hall</description>
			<ucla:Artist>Masters of Tradition:  A Living History of Irish Music </ucla:Artist>
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			<ucla:ShowDate>Sun, Mar 30 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>"Masters of Tradition lives up to its name... not to be missed."</b> -<i>The New Yorker</i><div><br></div><div>As artistic director of <b>Masters of Tradition</b>, fiddler <b>Martin Hayes</b> has gathered<br>seven of the most compelling artists in Irish music to form a band of exceptional<br>caliber. </div><div><br></div><div>Masters of Tradition is named for the music festival held each August in the<br>Irish coastal town of Bantry, County Cork. Hayes devised the festival, in collaboration<br>with the classical music organization West Cork Music, to create a space where the<br>heart of traditional Irish Celtic music could be revealed. </div><div><br></div><div>This Royce Hall debut will<br>include performances of solos, duets, trios, and full-group collaborations, offering<br>insight into the musical journeys that these performers-and the masterful, iconic<br>music they play-have taken over the years. </div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/407.jpg</ucla:image>
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			<title>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=393</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=393</guid>
			<description>Wed, Apr 9  at Freud Playhouse</description>
			<ucla:Artist>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </ucla:Artist>
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			<ucla:ShowDate>Wed, Apr 9 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[Based on <i>The Suit</i> by <b>Can Themba</b>,<br><b>Mothobi Mutloatse</b> and <b>Barney Simon</b> <div>Direction, adaptation and musical direction by </div><div><b>Peter Brook</b>,<br><b>Marie-Héléne Estienne</b> and <b>Franck Krawczyk</b> </div><div><br></div><div><br></div><div>Renowned theater and film director <b>Peter Brook</b> brings us a<br>music-filled adaptation of a poignant original story from South<br>African writer <b>Can Themba</b>. <i>The Suit</i> is a tragic tale of betrayal<br>and resentment as a scorned husband takes out his anger, pain<br>and frustration on his wife. </div><div><br></div><div>The suit her lover left behind takes<br>on the symbolic embodiment of him and becomes the tool of her<br>husband's aggression. The suit is a constant and painful reminder<br>of her adultery and through its presence, tension erupts, sorrow<br>abides and the couple's inability to heal is invoked. </div><div><br></div><div>Set in apartheid-era South Africa, Brook's innovative<br>staging integrates live musicians performing African melodies<br>and Schubert lieder. The original novel The Suit, written by<br>Themba, was banned in his native country as he was exiled during<br>apartheid. </div><div><br></div><div>The play's setting of Sophiatown-a teeming township<br>that was erased shortly after Themba wrote his novel-is as much<br>a part of the story as the unfortunate couple. </div><div><br></div><div><i>The Suit</i> was originally brought to the stage in the early<br>'90s at Johannesburg's Market Theater by Mothobi Mutloatse<br>and Barney Simon. Brook then adapted the work for a French-language<br>production and now revives it again for English-speaking<br>audiences. <div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Merle and Peter Mullin Endowment for the Performing<br>Arts and the Shirley and Ralph Shapiro Director's Discretionary Fund.</font></span></p></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/393.jpg</ucla:image>
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			<title>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=421</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=421</guid>
			<description>Thu, Apr 10  at Freud Playhouse</description>
			<ucla:Artist>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </ucla:Artist>
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			<ucla:ShowDate>Thu, Apr 10 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[Based on <i>The Suit</i> by <b>Can Themba</b>,<br><b>Mothobi Mutloatse</b> and <b>Barney Simon</b> <div>Direction, adaptation and musical direction by </div><div><b>Peter Brook</b>,<br><b>Marie-Héléne Estienne</b> and <b>Franck Krawczyk</b> </div><div><br></div><div><br></div><div>Renowned theater and film director <b>Peter Brook</b> brings us a<br>music-filled adaptation of a poignant original story from South<br>African writer <b>Can Themba</b>. <i>The Suit</i> is a tragic tale of betrayal<br>and resentment as a scorned husband takes out his anger, pain<br>and frustration on his wife. </div><div><br></div><div>The suit her lover left behind takes<br>on the symbolic embodiment of him and becomes the tool of her<br>husband's aggression. The suit is a constant and painful reminder<br>of her adultery and through its presence, tension erupts, sorrow<br>abides and the couple's inability to heal is invoked. </div><div><br></div><div>Set in apartheid-era South Africa, Brook's innovative<br>staging integrates live musicians performing African melodies<br>and Schubert lieder. The original novel The Suit, written by<br>Themba, was banned in his native country as he was exiled during<br>apartheid. </div><div><br></div><div>The play's setting of Sophiatown-a teeming township<br>that was erased shortly after Themba wrote his novel-is as much<br>a part of the story as the unfortunate couple. </div><div><br></div><div><i>The Suit</i> was originally brought to the stage in the early<br>'90s at Johannesburg's Market Theater by Mothobi Mutloatse<br>and Barney Simon. Brook then adapted the work for a French-language<br>production and now revives it again for English-speaking<br>audiences. <div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Merle and Peter Mullin Endowment for the Performing<br>Arts and the Shirley and Ralph Shapiro Director's Discretionary Fund.</font></span></p></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/421.jpg</ucla:image>
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			<title>David Wax Museum and La Santa Cecilia</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=394</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=394</guid>
			<description>Fri, Apr 11  at Royce Hall</description>
			<ucla:Artist>David Wax Museum and La Santa Cecilia</ucla:Artist>
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			<ucla:ShowDate>Fri, Apr 11 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Two vibrantly emerging groups in modern folk music will light up Royce Hall in a very special<br>evening of colorful, passionate songs and stories. <b>David Wax Museum</b> is a folk band from<br>Boston that has won over audiences nationwide with a brilliant fusion of Mexican Son with<br>at least half a dozen forms of Americana. At the core are <b>David Wax</b>-a longtime scholar of<br>Mexican music tradition on the jarana, the eight-stringed diminutive guitar of Veracruz-and<br><b>Suz Slezak</b> on fiddle and quijada (a traditional percussion instrument made from a donkey<br>jawbone). Along with a rhythm section, the band sings songs about life, love and hope-all<br>filtered through the varied musical traditions they have studied. <div><br></div><div><br></div><div>Sharing the bill is <b>La Santa Cecilia</b>, exemplifying the modern-day creative hybrid of<br>Latin culture, rock and world music. Hailing from L.A., where they are rising stars on the<br>scene, the group draws inspiration from all over the world, deftly harnessing pan-American<br>rhythms like cumbia, bossa nova, rumba, bolero, tango, jazz, rock and klezmer music</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/394.jpg</ucla:image>
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			<title>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=422</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=422</guid>
			<description>Fri, Apr 11  at Freud Playhouse</description>
			<ucla:Artist>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </ucla:Artist>
			<ucla:Line1></ucla:Line1>
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			<ucla:ShowDate>Fri, Apr 11 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[Based on <i>The Suit</i> by <b>Can Themba</b>,<br><b>Mothobi Mutloatse</b> and <b>Barney Simon</b> <div>Direction, adaptation and musical direction by </div><div><b>Peter Brook</b>,<br><b>Marie-Héléne Estienne</b> and <b>Franck Krawczyk</b> </div><div><br></div><div><br></div><div>Renowned theater and film director <b>Peter Brook</b> brings us a<br>music-filled adaptation of a poignant original story from South<br>African writer <b>Can Themba</b>. <i>The Suit</i> is a tragic tale of betrayal<br>and resentment as a scorned husband takes out his anger, pain<br>and frustration on his wife. </div><div><br></div><div>The suit her lover left behind takes<br>on the symbolic embodiment of him and becomes the tool of her<br>husband's aggression. The suit is a constant and painful reminder<br>of her adultery and through its presence, tension erupts, sorrow<br>abides and the couple's inability to heal is invoked. </div><div><br></div><div>Set in apartheid-era South Africa, Brook's innovative<br>staging integrates live musicians performing African melodies<br>and Schubert lieder. The original novel The Suit, written by<br>Themba, was banned in his native country as he was exiled during<br>apartheid. </div><div><br></div><div>The play's setting of Sophiatown-a teeming township<br>that was erased shortly after Themba wrote his novel-is as much<br>a part of the story as the unfortunate couple. </div><div><br></div><div><i>The Suit</i> was originally brought to the stage in the early<br>'90s at Johannesburg's Market Theater by Mothobi Mutloatse<br>and Barney Simon. Brook then adapted the work for a French-language<br>production and now revives it again for English-speaking<br>audiences. <div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Merle and Peter Mullin Endowment for the Performing<br>Arts and the Shirley and Ralph Shapiro Director's Discretionary Fund.</font></span></p></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/422.jpg</ucla:image>
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			<title>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=423</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=423</guid>
			<description>Sat, Apr 12  at Freud Playhouse</description>
			<ucla:Artist>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </ucla:Artist>
			<ucla:Line1></ucla:Line1>
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			<ucla:ShowDate>Sat, Apr 12 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[Based on <i>The Suit</i> by <b>Can Themba</b>,<br><b>Mothobi Mutloatse</b> and <b>Barney Simon</b> <div>Direction, adaptation and musical direction by </div><div><b>Peter Brook</b>,<br><b>Marie-Héléne Estienne</b> and <b>Franck Krawczyk</b> </div><div><br></div><div><br></div><div>Renowned theater and film director <b>Peter Brook</b> brings us a<br>music-filled adaptation of a poignant original story from South<br>African writer <b>Can Themba</b>. <i>The Suit</i> is a tragic tale of betrayal<br>and resentment as a scorned husband takes out his anger, pain<br>and frustration on his wife. </div><div><br></div><div>The suit her lover left behind takes<br>on the symbolic embodiment of him and becomes the tool of her<br>husband's aggression. The suit is a constant and painful reminder<br>of her adultery and through its presence, tension erupts, sorrow<br>abides and the couple's inability to heal is invoked. </div><div><br></div><div>Set in apartheid-era South Africa, Brook's innovative<br>staging integrates live musicians performing African melodies<br>and Schubert lieder. The original novel The Suit, written by<br>Themba, was banned in his native country as he was exiled during<br>apartheid. </div><div><br></div><div>The play's setting of Sophiatown-a teeming township<br>that was erased shortly after Themba wrote his novel-is as much<br>a part of the story as the unfortunate couple. </div><div><br></div><div><i>The Suit</i> was originally brought to the stage in the early<br>'90s at Johannesburg's Market Theater by Mothobi Mutloatse<br>and Barney Simon. Brook then adapted the work for a French-language<br>production and now revives it again for English-speaking<br>audiences. <div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Merle and Peter Mullin Endowment for the Performing<br>Arts and the Shirley and Ralph Shapiro Director's Discretionary Fund.</font></span></p></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/423.jpg</ucla:image>
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			<title>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=425</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=425</guid>
			<description>Sat, Apr 12  at Freud Playhouse</description>
			<ucla:Artist>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </ucla:Artist>
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			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sat, Apr 12 </ucla:ShowDate>
			<ucla:ShowTime>02:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[Based on <i>The Suit</i> by <b>Can Themba</b>,<br><b>Mothobi Mutloatse</b> and <b>Barney Simon</b> <div>Direction, adaptation and musical direction by </div><div><b>Peter Brook</b>,<br><b>Marie-Héléne Estienne</b> and <b>Franck Krawczyk</b> </div><div><br></div><div><br></div><div>Renowned theater and film director <b>Peter Brook</b> brings us a<br>music-filled adaptation of a poignant original story from South<br>African writer <b>Can Themba</b>. <i>The Suit</i> is a tragic tale of betrayal<br>and resentment as a scorned husband takes out his anger, pain<br>and frustration on his wife. </div><div><br></div><div>The suit her lover left behind takes<br>on the symbolic embodiment of him and becomes the tool of her<br>husband's aggression. The suit is a constant and painful reminder<br>of her adultery and through its presence, tension erupts, sorrow<br>abides and the couple's inability to heal is invoked. </div><div><br></div><div>Set in apartheid-era South Africa, Brook's innovative<br>staging integrates live musicians performing African melodies<br>and Schubert lieder. The original novel The Suit, written by<br>Themba, was banned in his native country as he was exiled during<br>apartheid. </div><div><br></div><div>The play's setting of Sophiatown-a teeming township<br>that was erased shortly after Themba wrote his novel-is as much<br>a part of the story as the unfortunate couple. </div><div><br></div><div><i>The Suit</i> was originally brought to the stage in the early<br>'90s at Johannesburg's Market Theater by Mothobi Mutloatse<br>and Barney Simon. Brook then adapted the work for a French-language<br>production and now revives it again for English-speaking<br>audiences. <div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Merle and Peter Mullin Endowment for the Performing<br>Arts and the Shirley and Ralph Shapiro Director's Discretionary Fund.</font></span></p></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/425.jpg</ucla:image>
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			<title>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=424</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=424</guid>
			<description>Sun, Apr 13  at Freud Playhouse</description>
			<ucla:Artist>Peter Brook / Théâtre Des Bouffes Du Nord:  The Suit </ucla:Artist>
			<ucla:Line1></ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sun, Apr 13 </ucla:ShowDate>
			<ucla:ShowTime>02:00 PM</ucla:ShowTime>
			<ucla:Theater>Freud Playhouse</ucla:Theater>
			<ucla:bio><![CDATA[Based on <i>The Suit</i> by <b>Can Themba</b>,<br><b>Mothobi Mutloatse</b> and <b>Barney Simon</b> <div>Direction, adaptation and musical direction by </div><div><b>Peter Brook</b>,<br><b>Marie-Héléne Estienne</b> and <b>Franck Krawczyk</b> </div><div><br></div><div><br></div><div>Renowned theater and film director <b>Peter Brook</b> brings us a<br>music-filled adaptation of a poignant original story from South<br>African writer <b>Can Themba</b>. <i>The Suit</i> is a tragic tale of betrayal<br>and resentment as a scorned husband takes out his anger, pain<br>and frustration on his wife. </div><div><br></div><div>The suit her lover left behind takes<br>on the symbolic embodiment of him and becomes the tool of her<br>husband's aggression. The suit is a constant and painful reminder<br>of her adultery and through its presence, tension erupts, sorrow<br>abides and the couple's inability to heal is invoked. </div><div><br></div><div>Set in apartheid-era South Africa, Brook's innovative<br>staging integrates live musicians performing African melodies<br>and Schubert lieder. The original novel The Suit, written by<br>Themba, was banned in his native country as he was exiled during<br>apartheid. </div><div><br></div><div>The play's setting of Sophiatown-a teeming township<br>that was erased shortly after Themba wrote his novel-is as much<br>a part of the story as the unfortunate couple. </div><div><br></div><div><i>The Suit</i> was originally brought to the stage in the early<br>'90s at Johannesburg's Market Theater by Mothobi Mutloatse<br>and Barney Simon. Brook then adapted the work for a French-language<br>production and now revives it again for English-speaking<br>audiences. <div><br></div><div></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by the Merle and Peter Mullin Endowment for the Performing<br>Arts and the Shirley and Ralph Shapiro Director's Discretionary Fund.</font></span></p></div></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/424.jpg</ucla:image>
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			<title>Chick Corea and Béla Fleck</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=395</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=395</guid>
			<description>Thu, Apr 24  at Royce Hall</description>
			<ucla:Artist>Chick Corea and Béla Fleck</ucla:Artist>
			<ucla:Line1></ucla:Line1>
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			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Thu, Apr 24 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[Jazz fans know <b>Chick Corea</b> and <b>Béla Fleck</b> as master musicians in their own right. <div><br></div><div>In 2007 these two Grammy winners collaborated on a groundbreaking album, <i>The<br>Enchantment</i>, which pushed both musicians to their limits as sonic explorers. As a duo,<br>Fleck and Corea combine a variety of musical styles and flavors-from blues to bluegrass,<br>and from classical to country. </div><div><br></div><div>Fleck first saw Corea live when he was 17 and that night with<br>Return to Forever changed the banjo player's outlook on music. Melodic and richly tonal,<br>the original compositions recorded by this compelling duo have a special way of taking hold<br>of the listener. In live performance, they deliver a mesmerizing fusion of styles. </div><div><br></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span style="font-size: small;">Supported in part by the Evelyn and Mo Ostin Endowment for the Performing Arts.</span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/395.jpg</ucla:image>
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			<title>Hossein Alizadeh and Hamavayan Ensemble</title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=396</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=396</guid>
			<description>Sat, Apr 26  at Royce Hall</description>
			<ucla:Artist>Hossein Alizadeh and Hamavayan Ensemble</ucla:Artist>
			<ucla:Line1></ucla:Line1>
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			<ucla:ShowDate>Sat, Apr 26 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>Hossein Alizadeh</b>, composer / master of the tar and setar (ancient Persian lutes) is widely<br>considered one of the most important figures in Iranian music. <div><br></div><div>As a scholar and interpreter<br>of the radif-the collection of ancient melodic phrases preserved through many generations<br>by oral tradition-Alizadeh has for decades pushed the boundaries of convention. </div><div><br></div><div>Hamavayan<br>Ensemble was founded nearly 25 years ago as a platform for the famed Iranian composer to<br>work with traditional instrumentation (tar, kamencheh, percussion) while adding the grace<br>and beauty of female vocalists. In a return to the Royce Hall stage, the ensemble combines<br>improvisation with precision, and poetry with whimsy.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/396.jpg</ucla:image>
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			<title>Los Angeles Chamber Orchestra:  Chopin - Piano Concerto No. 2 </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=397</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=397</guid>
			<description>Sun, Apr 27  at Royce Hall</description>
			<ucla:Artist>Los Angeles Chamber Orchestra:  Chopin - Piano Concerto No. 2 </ucla:Artist>
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			<ucla:ShowDate>Sun, Apr 27 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<b>Jeffrey Kahane</b>, conductor<div><b>Natasha Paremski</b>, piano</div><div><br></div><div><div><b>Hannah Lash</b> Sound Investment commission (world premiere)</div><div><b>Chopin </b>Piano Concerto No. 2 in F minor, Op. 21</div><div><b>Haydn </b>Symphony No. 102 in B-flat major</div></div><div><br></div><div><b>Natasha Paremski</b> is a "spectacular pianist" (American Record Guide) who performs "beautifully atmospheric interpretations." (<i>The New York Times</i>)</div><div><br></div><div><br></div><div>LACO has long called Royce Hall its home on the Westside and joins CAP UCLA as resident orchestra for the 2013-2014 season. We're pleased to offer CAP UCLA subscribers the chance to incorporate any performance from LACO's 7-event season into their season subscription.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/397.jpg</ucla:image>
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			<title>Philip Glass Ensemble:  La Belle et la Bête </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=398</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=398</guid>
			<description>Fri, May 2  at Royce Hall</description>
			<ucla:Artist>Philip Glass Ensemble:  La Belle et la Bête </ucla:Artist>
			<ucla:Line1></ucla:Line1>
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			<ucla:ShowDate>Fri, May 2 </ucla:ShowDate>
			<ucla:ShowTime>08:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[One of the most celebrated and unique works in <b>Philip Glass</b>' recent career, his live interpretation<br>of Jean Cocteau's masterpiece <i>La Belle et la Bête </i>is also his most challenging experiment in<br>synchronizing music with film.andnbsp;<div><br></div><div>For this production, Glass removed the film's original dialogue<br>track and score by Georges Auric and replaced it with his own musical score played live by the<br>Philip Glass Ensemble. The dialogue is performed live by the vocalists who are synchronized with<br>the actors in the film.andnbsp;</div><div><br></div><div>"Jean Cocteau's work was central to the modern art movement of the 20th century. More than<br>any other artist of his time, he again and again addressed questions of art, immortality and the<br>creative process as subjects of his work. <i>La Belle et la Bête</i> is an extremely thoughtful and subtle<br>reflection on the life of an artist. Presented as a simple fairy tale, it soon becomes clear that the<br>film takes on a deeper subject-the very nature of the creative process." -Philip Glassandnbsp;</div><div><br></div><div><br></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span century="" gothic","sans-serif";="" color:#1f497d"=""><font size="2">Supported in part by Heavensent Foundation.</font></span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/398.jpg</ucla:image>
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			<title>Philip Glass Ensemble:  Music in Twelve Parts </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=399</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=399</guid>
			<description>Sat, May 3  at Royce Hall</description>
			<ucla:Artist>Philip Glass Ensemble:  Music in Twelve Parts </ucla:Artist>
			<ucla:Line1></ucla:Line1>
			<ucla:Line2></ucla:Line2>
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			<ucla:ShowDate>Sat, May 3 </ucla:ShowDate>
			<ucla:ShowTime>04:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><div><b>"A full-body immersion into the early compositional world of Philip Glass... To hear a composer lay out his palette in such richly evocative detail is a rare and rewarding delight."</b> -<i>San Francisco Chronicle</i></div></div><div><br></div>One of the most revolutionary works of composer <b>Philip Glass</b>' oeuvre comes to Los Angeles for the first<br>time. <i>Music in Twelve Parts</i>, an epic performance work composed by Glass for his acclaimed ensemble<br>between 1971-1974, is simultaneously a massive theoretical exercise and a deeply engrossing work of art.andnbsp;<div><br></div><div>The score is the culmination of Glass's explorations and theories on repetition and is widely considered to<br>be both a masterpiece of minimalism and a seminal work of 20th-century music.andnbsp;</div><div><br></div><div><i>Music in Twelve Parts</i> is a not-to-be-missed evening for Glass fans and new-music enthusiasts. The<br>performance is comprised of four approximately 50-minute segments plus two short intermissions and<br>an hour-long dinner break, with an on-site meal option available for advance purchase.</div><div><br></div><div><br></div><div><br></div><div><hr></div><div><p class="MsoNormal"><span style="font-size: small;">Supported in part by Heavensent Foundation.</span></p></div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/399.jpg</ucla:image>
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			<title>Philip Glass:  The Etudes </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=400</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=400</guid>
			<description>Sun, May 4  at Royce Hall</description>
			<ucla:Artist>Philip Glass:  The Etudes </ucla:Artist>
			<ucla:Line1></ucla:Line1>
			<ucla:Line2></ucla:Line2>
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			<ucla:ShowDate>Sun, May 4 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>"Glass's <i>Etudes </i>waxed delicate and gradiose, sultry and melancholy, ghostly and hard-edged."</b> - <i>The New York Times</i></div><div><br></div>Join us for a remarkable concert of solo piano work performed by one of the most<br>influential American composers of the late-20th century as <b>Philip Glass</b> unveils his<br>recently completed <i>Etudes</i>, more than 20 years in the making. <div><br></div><div>Glass originally conceived the etudes as a set of 20 works for solo piano, a<br>compositional undertaking that would allow him to expand his own technique and<br>push the boundaries of piano tone and style. </div><div><br></div><div>Throughout the 1990s, he completed 16<br>of the etudes, each of which take a unique approach to the instrument. The final four<br>etudes were commissioned in celebration of Glass's 75th birthday. </div><div><br></div><div>An introspective portrait of the composer over two decades, <i>The Etudes</i> is an immersive journey into one<br>composer's personal soundscape as expressed in the depth and breadth of a single instrument. </div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/400.jpg</ucla:image>
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			<title>Los Angeles Chamber Orchestra:  Bach and Mozart Double Concertos </title>
			<link>http://cap.ucla.edu/calendar/event_detail.asp?id=401</link>
			<author>info@cap.ucla.edu</author>
			<guid isPermaLink="true">http://cap.ucla.edu/calendar/event_detail.asp?id=401</guid>
			<description>Sun, May 18  at Royce Hall</description>
			<ucla:Artist>Los Angeles Chamber Orchestra:  Bach and Mozart Double Concertos </ucla:Artist>
			<ucla:Line1></ucla:Line1>
			<ucla:Line2></ucla:Line2>
			<ucla:Line3></ucla:Line3>
			<ucla:ShowDate>Sun, May 18 </ucla:ShowDate>
			<ucla:ShowTime>07:00 PM</ucla:ShowTime>
			<ucla:Theater>Royce Hall</ucla:Theater>
			<ucla:bio><![CDATA[<div><b>Jeffrey Kahane</b>, conductor and piano</div><div><b>Jeremy Denk</b>, piano</div><div><br></div><div><b>Bach </b>Concerto No. 2 in C major for Two Keyboards, BWV 1061</div><div><b>Ligeti </b>Piano Concerto</div><div><b>Mozart </b>Concerto No. 10 in E-flat major for Two Pianos, K. 365</div><div><br></div><div>"<b>[Jeremy] Denk</b>... is a pianist you want to hear no matter what he performs, in whatever combination both for his penetrating intellectual engagement with the music and the generosity of his playing." - <i>The New York Times</i></div><div><i><br></i></div><div><i><br></i></div><div>LACO has long called Royce Hall its home on the Westside and joins CAP UCLA as resident orchestra for the 2013-2014 season. We're pleased to offer CAP UCLA subscribers the chance to incorporate any performance from LACO's 7-event season into their season subscription.</div>]]></ucla:bio>
			<ucla:image>http://cap.ucla.edu/data/production/wide/401.jpg</ucla:image>
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