Unsigned editorial from the performance program notes.
The flute is not an instrument that often gets to be a rock star. It is lyrical and pleasing and integral to so many wonderful traditional melodies and memories in the art of performance.
But, in the hands of one Claire Chase, the flute gets to be a rock star, mostly by virtue of being held in the hands of one.
Claire is not only a masterful and energetic performer, she is a tireless champion of all the possibilities inherent in contemporary instrumental music. She has been with us this past week, working with the cadre of volunteer flutists who have migrated here to perform with us tonight. She is an inspiring leader full of verve and enthusiasm, ready to unlock the potential and creativity of all who perform and collaborate with her.
We’re very proud to have her with us, and especially for the West Coast Premiere of Cutting the Circle of Sounds. You’ll read more in the coming pages about this unique work. Claire and her team have come up with new creative performance elements for our presentation of this extremely rare composition, which has usually been performed in open-air or gallery spaces. In keeping with the heritage of the work, we were also proud to partner with our sister organization the Hammer Museum, where tonight’s migrating flutists gathered to learn the elements of the piece and practice the unique and liberating non-tonal techniques that make it so special.
Claire has said of Density, her solo work in part two of this afternoon’s program, that it is a work that unleashes the spirit of the flute. We think, every time Claire takes the stage anywhere in any configuration, in front of any kind of audience, she plays her own very important part in that unleashing of the flute’s spirit.
Thank you for joining us on this glorious spring holiday weekend. Enjoy the performance.