This week at CAP UCLA we are proud to present two unique programs that explore compelling landscapes in musical theater and dance through the art of monologue. These creative and authentic artists harness the spoken word form in ways that will stir your soul—with Young Jean Lee’s WE’RE GONNA DIE (starting Wednesday) and Jerome Bel’s Cedric Andrieux (Saturdaynight).
Words have power, I believe. The power to tell stories, reveal truths and inspire true human connection. Thinking about these two shows made me think about an interview I heard not too long ago between Michael Silverblatt and Aleksander Hemon. The Bosnian author was talking about his book, “The Book of My Lives,”which contains a personal and very emotional remembering of the loss of his daughter. In the interview the author talked about how he was confronted by a friend at that time who said: “words fail in these situations.”
No, Hemon said. Being a writer, he has belief in words. Words don’t fail, he said. Platitudes do. Empty phrases that don’t instigate connection or communication fail. But thoughtful, reflective words with meaning behind them, those can heal, those can inspire.
What you’ll find here at CAP UCLA this week and weekend is a fulsome sense of the power of words, within the context of the art of performance. And you’ll be in great hands.
Young Jean Lee is a trailblazing New York theater maker. She comes to Los Angeles for the first time with a profound and acutely realized collection of songs and stories about loneliness, loss and pain, alchemized into a surprisingly uplifting performance that might just leave us more hopeful, more connected, more compassionate and more understanding of our shared human experience.
Young Jean Lee recently told LA Weekly that she conceived this work as sort of self-therapy.
“My father had just died,” she remembers. “I tell the story in the show — he died in such a horrible way that I was so traumatized and felt completely isolated from everybody. And then I was thinking, when you’re in that place, where you’re in so much pain that nobody can reach you, I was like, ‘What can be of comfort then?’”
Saturday night we bring another perspective on the human experience—our inclination to strive for success, for expression, for joy and for creative pursuit.
We bring to the Royce Hall stage an incredibly intimate examination of the inspirations and challenges behind the growth and success of one artist—named for and performed by celebrated French dancer Cédric Andrieux. Part spoken word, part solo dance performance, this work by famed French choreographer Jerome Bel, reveals the experiences that propel and compel an artistic life.
In a nakedly honest moment on the stage, the former Merce Cunningham company dancer Andrieux tells us the stories of his life, his loves and his frustrations. Andrieux and Bel invite the audience to embrace the role of avid and confidential spectator, not just of one immediate evening of performance, but of one artist’s personal evolution.
Typically in dance performance, the movement speaks volumes. But in this penetrating performance, the words carry weight and power to build an aesthetic bridge between artist and audience.
It’s a rare and magical insight into what goes on behind the curtain and inside the heart and mind of an artist.
At one point in the performance Andrieux admits: “This solo, for me, it’s thinking about 20 years of my life, through what I have done in dance. I realized I had never spent that much time thinking of what I had done and why I had done it.”
Working with Jerome on this solo allowed Cedric to do just that–and he quite movingly shares the revelations this process has wrought for him.
So, if you also, often consider why you do the things you do, if you ever wonder how to deal with pain and loss, if you are into the kind of thoughtful, reflective moments that might just help us all remember how much more we belong to one another than not, please do join us for Young Jean Lee and Cedric Andrieux this week.