While we will all be glad to bid farewell to 2020, there were several bright spots for CAP UCLA this season for which we are grateful. Season highlights include:
CAP UCLA provided financial support for some 300 artists through commissions this season. Projects included:
- Chris Doyle’s Memento Vivere, a 24-hour digital clock made with UCLA students and available for Apple watches
- Constance Hockaday’s Artists-In-Presidents, a collection of “fireside chats” from artists released in the final two months of the 2020 campaign
- Choreographers’ Scores, a collection of visual scores by 27 contemporary choreographers that will become available as limited edition prints and tour nationally
- Notes on Napkins, a collection of more than 100 musicians’ doodles on napkins that will become an affordable boxed set of commemorative napkins
- Meshell Ndgeocello’s Chapter & Verse: The Gospel of James Baldwin, a multi-media tribute to James Baldwin co-commissioned by a consortia of national and international performing and visual arts partners
- A filmed version of Robyn Frohardt’s Plastic Bag Store installation in Times Square that was set to open just prior to the COVID-19 shutdown
CAP UCLA also brought back new online versions of several programs we had presented in the past, including:
- Forced Entertainment’s Complete Table Top Shakespeare: At Home Edition filmed by the company at their kitchen tables in Sheffield, England and Berlin. Available online through December 31, 2020
- The online version of Kid Koala’s Music To Draw To, two hours of curated music designed to get your creative juices flowing which we presented live as a follow-up to his 2016 performance of Nufonia Must Fall
- A three-day celebration of Grace@20, a seminal work by choreographer Ronald K. Brown, that included a filmed performance of the work, an online class and a talk with the artists
CAP UCLA Online
We also filmed all of our fall performances this season and streamed them online on our new channel. We will continue this practice in 2021 and hope you will join us. Fall highlights included:
- The Tune In Festival – a four day celebration of music for change filmed in Los Angeles and elsewhere, bringing together musicians and poets from the U.S., Canada and Latin America. Excerpts from the performances and interviews with the artists are available online.
- The acclaimed Quinteto Astor Piazzolla filmed in Buenos Aires and seen by an international audience of more than 1200. Available on demand.
We also created a new literary series, L.A. Omnibus, featuring conversations with L.A. writers and artists. This fall featured artists Constance Hockaday, Daniel Alexander Jones and Kristina Wong and discussions with authors Donna Rifkin and Lynell George. All Omnibus programs are available on demand.
Taylor Mac Holiday Benefit Concert
We were delighted to be able to once again present Taylor Mac’s Holiday Sauce…Pandemic!, an online version of his holiday extravaganza that we presented for two days live last year at Royce Hall. This event was a benefit for CAP UCLA that was seen by some 600 households and raised $23,000. Thank you to everyone who donated and attended the event. If you missed it, it is still available on demand through January 2, 2021.
Art in Action
For these past 10 months, we’ve re-imagined how our public programs continue to provide opportunities to take part, learn and engage. We’re still learning, but there have been definite bright spots:
Design for Sharing, our K-12 arts education program migrated to a virtual platform, providing filmed performances, remote art-making, virtual arts residencies and Art Kits that we made available to over 100 elementary school students.
Our student committee, Student Committee for the Arts (SCA) partnered with our colleagues in Residential Life Arts Engagement to pilot a Pen-Pal program, over 200 UCLA students spanning 7 countries and 13 states participated during Fall quarter, making connections and sharing art work.
Our CAP Poetry Bureau went online for Poetry Month, and we wrote and distributed over 100 poems that were mailed or emailed to members of our LA and UCLA communities.
Along the way we wrote Odes to Ordinary Things, established a virtual gallery, and engaged in some proactive thinking about the City of Angels. Thanks for staying connected, and stay tuned for more.
We would like to give a shout out to the artists who are facing the largest cataclysm of their professional lives, yet who remain steadfast in their determination, resourcefulness and commitment to expressing universal truths and helping us get through this year.
We also want to give special thanks to you, our audiences and supporters, for hanging tight with us as we reinvent ourselves in the digital universe so we can continue to share the work of contemporary artists around the world and provide them with an income stream until they can return to our stages.
HAPPY HOLIDAYS from all of us at UCLA’s Center for the Art of Performance.